尾形月耕 · 义士十七图 · 四十七浪人 · 忠臣藏 · 明治 - 日本 - Meiji period (1868-1912)
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这幅日本原版木版画由尾形月耕创作，描绘仓桥传助宗房，属于明治时期的《义士四十七图》系列。
AI辅助摘要
卖家的描述
** 这系列中备受追捧的设计之一——电影感十足的构图。Gekkō 的 Gishi 系列因他在浮世绘与现代版画之间的位置而受到收藏家的越来越多关注；该系列的作品被纳入包括大英博物馆在内的机构收藏。 **
Artist: Ogata Gekkō 尾形月耕 (1859–1920)
Series: Gishi shijūshichi zu 義士四十七圖 (Pictures of the Forty-seven Loyal Retainers)
Title: Kurahashi Densuke Munefusa 倉橋傳助宗房
Format: Ōban tate-e, approx. 36 × 24 cm
Technique: Woodblock print (nishiki-e), ink and colour on paper
Date: Meiji period, 1896–1902 (to be confirmed from the margin colophon)
Publisher: Matsuki Heikichi 松木平吉 (margin colophon)
Signature: 月耕 (Gekkō), with the artist's seal
________________________________________________________
CONDITION
Very good colors and strong impression. The paper has minor Soiling/toning and an album backing. Please check the images!
-------------------------------------------------------
About the print
It is the night of the fourteenth day of the twelfth month, Genroku 15 — the raid on Kira's mansion. Gekkō places us directly behind Kurahashi Densuke, crouched low in the black raid uniform of the forty-seven, fire-hood and helmet secured, drawn sword held flat and ready. We see him as a comrade would: from behind, over the shoulder, sharing his line of sight. And what he watches — what we watch with him — is combat unfolding at a distance, two figures locked in a spear-and-sword duel, rendered not in full colour but in pale, watered tints inside a glowing circle of apricot light that opens in the grey darkness like a lantern's halo.
This is where Gekkō departs completely from the conventions of the warrior print. A Kuniyoshi or a Kunichika would have thrown the fight at us — full-sized, saturated, filling the sheet. Gekkō instead gives us a single figure, monumental and still, and pushes the violence back into atmosphere. The effect is genuinely cinematic: a shallow depth of field, a foreground in sharp focus, a background dissolving into light and mist. The composition understands something the older musha-e tradition rarely admitted — that the tensest moment of a battle is not the blow, but the instant of waiting before it."
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译** 这系列中备受追捧的设计之一——电影感十足的构图。Gekkō 的 Gishi 系列因他在浮世绘与现代版画之间的位置而受到收藏家的越来越多关注；该系列的作品被纳入包括大英博物馆在内的机构收藏。 **
Artist: Ogata Gekkō 尾形月耕 (1859–1920)
Series: Gishi shijūshichi zu 義士四十七圖 (Pictures of the Forty-seven Loyal Retainers)
Title: Kurahashi Densuke Munefusa 倉橋傳助宗房
Format: Ōban tate-e, approx. 36 × 24 cm
Technique: Woodblock print (nishiki-e), ink and colour on paper
Date: Meiji period, 1896–1902 (to be confirmed from the margin colophon)
Publisher: Matsuki Heikichi 松木平吉 (margin colophon)
Signature: 月耕 (Gekkō), with the artist's seal
________________________________________________________
CONDITION
Very good colors and strong impression. The paper has minor Soiling/toning and an album backing. Please check the images!
-------------------------------------------------------
About the print
It is the night of the fourteenth day of the twelfth month, Genroku 15 — the raid on Kira's mansion. Gekkō places us directly behind Kurahashi Densuke, crouched low in the black raid uniform of the forty-seven, fire-hood and helmet secured, drawn sword held flat and ready. We see him as a comrade would: from behind, over the shoulder, sharing his line of sight. And what he watches — what we watch with him — is combat unfolding at a distance, two figures locked in a spear-and-sword duel, rendered not in full colour but in pale, watered tints inside a glowing circle of apricot light that opens in the grey darkness like a lantern's halo.
This is where Gekkō departs completely from the conventions of the warrior print. A Kuniyoshi or a Kunichika would have thrown the fight at us — full-sized, saturated, filling the sheet. Gekkō instead gives us a single figure, monumental and still, and pushes the violence back into atmosphere. The effect is genuinely cinematic: a shallow depth of field, a foreground in sharp focus, a background dissolving into light and mist. The composition understands something the older musha-e tradition rarely admitted — that the tensest moment of a battle is not the blow, but the instant of waiting before it."
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
Meiji period (1868-1912)
项目件数
1
原产国
日本
Attribution
Original
艺术品标题
Ogata Gekkō · Gishi Shijūshichi Zu · 47 Rōnin · Chūshingura · Meiji
Condition
良好状态
起源
私人收藏
真伪
原始的/正式的
