Iridescent spots scatter across this tea bowl's dark surface like distant galaxies suspended in obsidian space—Kitamura Shōhō's yuteki (oil-spot) glaze achieves effects that seem more geological accident than human intention, though achieving such apparent randomness demands absolute technical control. This bowl exemplifies Kosei-yaki pottery from Shiga Prefecture, where Lake Biwa's proximity influenced both clay bodies and firing traditions spanning centuries. The oil-spot phenomenon occurs when iron-rich glazes separate during high-temperature firing, creating silvery crystalline spots that float atop darker matrices. Chinese Jian ware potters discovered this effect during the Song Dynasty; Japanese ceramicists spent subsequent centuries attempting replication, often producing disappointing results until twentieth-century scientific understanding enabled consistent reproduction. Kitamura's mastery lies not merely in achieving oil-spot effects but controlling their distribution and intensity—notice how spots concentrate toward the rim whilst becoming sparse near the foot, creating visual movement drawing the eye upward. The bowl includes its original leaf-shaped stand (habachi), a thoughtful detail elevating presentation whilst protecting surfaces from the unglazed foot ring. This pairing suggests ceremonial context—tea gatherings where such accompaniments demonstrate host attention to aesthetic completeness. Kitamura's impressed seal appears on the base alongside kiln marks documenting production at Shōhō-gama, his personal workshop near Lake Biwa's southern shores. For contemporary interiors, this bowl offers remarkable versatility. Displayed empty on minimalist shelving, it becomes a sculptural object—the oil-spot glaze catching ambient light to create ever-changing visual effects depending on viewing angle and illumination. Positioned on dining tables, it grounds compositions with historical gravitas whilst the dark palette harmonises with modern monochrome schemes. Copenhagen and Tokyo design studios have recently embraced precisely this aesthetic: historic ceramics juxtaposed against clean contemporary lines. Condition inspection reveals honest wear consistent with careful use. The bowl exhibits minor wobbling—slight unevenness in the foot ring causing gentle rocking when placed on flat surfaces. This imperfection paradoxically confirms handcrafted authenticity; perfectly stable mass-produced ceramics never exhibit such individual characteristics. The glaze surface remains intact without chips or abrasion. The rim shows no damage despite vulnerability during washing and storage. The included stand displays age-appropriate patina but remains structurally sound. Kosei-yaki occupies a specialised niche within Japanese ceramic traditions—less internationally recognised than Bizen or Raku but equally valued by collectors appreciating regional diversity and technical experimentation. Museum holdings remain primarily Japanese, with Shiga Prefectural Ceramic Museum maintaining comprehensive historical collections. This bowl represents tea ceremony aesthetics adapted for contemporary appreciation—objects originally created for ritualistic contexts finding new relevance as art pieces transcending their utilitarian origins. For those seeking ceramics with genuine character, pieces bearing honest evidence of maker's hand and user's engagement, such works offer rewards proportional to attention invested. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Extra cushioning around rim and custom-fit box for leaf stand; combined shipping available for multiple wins. Local customs duties are the buyer's responsibility. Seller Guarantee We specialise in regional Japanese ceramics and oil-spot glazes, guaranteeing this piece's authenticity. Questions welcome – we reply within 24 hours. 1159