– Created by Yamato Yasuo (b. 1933), recognised Yamaguchi Prefecture Intangible Cultural Property holder for Hagi ware – Traditional Hagi firing with characteristic loquat-toned clay and white glaze movement, signature 'Yasu' carved seal to base – Slender tall form, approximately 26 cm height, ideal for single-stem ikebana or as a contemplative display piece Summary: This elegant vase represents the quiet refinement of contemporary Hagi ware by Yamato Yasuo, one of Yamaguchi Prefecture's officially recognised ceramic masters. Born in Yamaguchi City in 1933, Yamato was appointed Prefectural Intangible Cultural Property holder in 1988 and later served as director of the Japan Kōgei Association. His work carries forward the 400-year lineage of Hagi ceramics—historically treasured for tea ceremony use since the Edo period—with subtle colour harmonies and forms that feel both rooted in tradition and unmistakably contemporary. This vase exhibits the soft loquat-beige clay characteristic of Hagi ware, overlaid with delicate white glaze that pools and flows, creating understated variations across the surface. Condition is excellent, with no chips or cracks, and the piece retains the serene, unforced beauty that defines high-quality Hagi ceramics. Hagi ware, or Hagi-yaki, emerged in the early 17th century when Korean potters settled in what is now Yamaguchi Prefecture, bringing with them techniques from the Joseon dynasty. Over centuries, Hagi ware earned a place among Japan's most esteemed ceramic traditions, especially for tea bowls used in the Way of Tea. Its appeal lies in understated forms and subtle glazes that develop over time, often taking on a warmer hue as tea and use season the porous clay—a quality known as nanabake, or the seven transformations. Yamato Yasuo trained under his father, Yamato Sakutaro, a descendant of the historic Matsurokugama kiln lineage, and has spent over 70 years refining his craft. His works have been shown in major exhibitions across Japan, and in 1989 he received the Yamaguchi Prefecture Arts and Culture Award, followed by the Chugoku Cultural Prize in 1992. This vase stands tall and slender, with a narrow neck that tapers gently from a rounded shoulder. The clay itself—a warm, sandy loquat tone—grounds the piece in Hagi's earthy aesthetic, while the white glaze brushed over the upper body creates soft contrasts and subtle gradations. The glaze does not cover uniformly; instead, it flows, gathers, and recedes, allowing the clay beneath to breathe and assert its quiet presence. This interplay between concealment and revelation is central to Hagi's aesthetic philosophy. The carved 'Yasu' seal at the base confirms the maker's hand, a personal mark that connects this object to Yamato's long career. At approximately 26 cm in height, the form is perfectly scaled for a single stem or a small branch, making it an ideal vessel for minimalist ikebana or simply as a sculptural accent on a shelf or low table. In a contemporary European interior, this vase reads as a study in restraint. The muted loquat and cream tones blend seamlessly with Scandinavian minimalism, mid-century modern palettes, or industrial spaces where organic textures provide warmth. Its vertical proportions suit narrow ledges, windowsills, or console tables, and its handmade quality—slight asymmetries, the spontaneous flow of glaze—offers a counterpoint to mass-produced design. Whether displayed empty or holding a single seasonal branch, the vase invites contemplation and rewards close looking. The surface develops character with light; morning sun reveals the glaze's translucency, while evening shadow emphasises the clay's quiet strength. Overall condition is excellent. The piece shows no chips, cracks, or significant wear. Minor kiln marks and subtle variations in glaze application are inherent to the firing process and considered part of the work's character. The surface is clean, with only light signs of age consistent with careful handling. Structurally sound and ready for display or use. Yamato Yasuo's works are held in high regard among collectors of contemporary Hagi ware and Japanese studio ceramics. His official recognition as a Prefectural Intangible Cultural Property holder places him within a select group of living masters whose technical skill and creative vision uphold and extend regional ceramic traditions. Collectors interested in post-war Japanese ceramics, tea ceremony utensils, or works by recognised craft masters will find this vase a compelling example of Hagi's enduring aesthetic. If you appreciate the quiet eloquence of Japanese ceramics and the discipline of form that emerges from generations of making, this vase offers an opportunity to engage with a living tradition through the hands of a recognised master. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer's responsibility. Seller Guarantee We specialise in authentic Japanese ceramics and guarantee this piece's authenticity. Questions welcome – we reply within 24 hours.