Good conditions. SEE: https://ja.wikipedia.org/wiki/ファイル:Hiroshige,_Sunset_Hill,_Meguro_in_the_eastern_capital,_1858.jpg Description: This woodblock print captures an exquisitely seasonal autumn scene, where delicate maple leaves shift from green to warm shades of orange and red. Slender trees frame a gentle valley of fields and winding water, while Mt. Fuji rises serenely in the fading light of dusk. The artist’s subtle gradations and refined linework evoke the quiet beauty of early autumn, when the air cools and colors deepen. It is a tranquil, evocative landscape that perfectly reflects the harmony of nature and the changing season. Author: Utagawa Hiroshige 歌川 広重 (1797 – 12 October 1858), was a Japanese Ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). Kodama Matashichi was a Meiji-period ukiyo-e publisher based in Nihonbashi, Tokyo. He is known for producing works by artists such as Yamazaki Toshinobu, Yōshū Chikanobu, and Kobayashi Kiyochika. Kodama’s publications include landscapes, beauty prints, and war triptychs, notable for their refined printing and delicate color gradations. His collaborations with Toshinobu on the Thirty-Six Views of Mount Fuji exemplify the high craftsmanship and transitional aesthetic between traditional ukiyo-e and the emerging Meiji modern style.