Original artwork made with professional acrylics on gallery-quality cotton canvas. The piece is executed entirely with a palette knife. In this work, free gesture coexists with a clear structure: a marked diagonal articulates the composition and suggests a kind of vegetal architecture. The lines that cross the canvas can be read as paths, boundaries, or cuts — but also as a way of containing the organic within a language that borders on geometry. Greens and yellows dominate the scene, evoking an abstract landscape seen from above — or perhaps from within. There are no recognizable forms, but there is rhythm, direction, and growth. The piece does not represent, it suggests: an interpretation of how nature organizes itself, how chaos finds symmetry, how the living and the constructed sometimes blur into one another.