– Ōuchi Seifū (1898–1981): Japan Art Academy member, pupil of Kōun Takamura, Imperial honours recipient – Finely modelled bronze monkey in auspicious seated posture; traditional lost-wax casting – Compact sculpture suitable as desk ornament, paperweight, or alcove display; signed with artist's seal Summary: This small cast bronze monkey is by Ōuchi Seifū, a sculptor who trained under the legendary Kōun Takamura at Tokyo School of Fine Arts and later became a member of the prestigious Japan Art Academy. Ōuchi exhibited regularly at the Imperial Art Exhibition (Teiten) and post-war Nitten exhibitions, earning the Order of the Sacred Treasure in 1971. The monkey—a symbol of good fortune and protection in Japanese culture—is rendered with careful anatomical observation softened by a sense of warmth and approachability. A good example of mid-twentieth-century Japanese bronze sculpture that blends academic training with traditional subject matter. Ōuchi Seifū's career spanned Japan's tumultuous twentieth century, from the late Meiji period through post-war reconstruction. He entered Tokyo School of Fine Arts at a time when the institution was still navigating the tension between Western academic sculpture and indigenous Japanese traditions. His teacher, Kōun Takamura, had studied Western techniques but remained deeply rooted in Buddhist sculptural traditions. That dual heritage is visible in Ōuchi's work: technically accomplished, anatomically sound, yet informed by centuries of Japanese animal sculpture in wood and bronze. The monkey holds special significance in Japanese culture. One of the twelve zodiac animals, it also appears in folk religion as a protector against evil and illness. The famous "three wise monkeys" maxim—see no evil, hear no evil, speak no evil—originated in Japan and spread worldwide. Monkeys feature prominently in shrine carvings, netsuke, okimono, and decorative arts. Ōuchi's monkey, seated with an alert yet relaxed posture, embodies these positive associations without veering into caricature. The modelling captures the animal's intelligent expression and wiry musculature whilst maintaining a stylised, sculptural quality. Bronze casting in Japan has ancient roots, with techniques imported from China and Korea in the sixth and seventh centuries. By the Edo period, Japanese bronze-workers had developed distinct methods and aesthetic sensibilities. The lost-wax technique used for this monkey involves creating a wax model, encasing it in clay, melting out the wax, and pouring molten bronze into the cavity. The process allows for fine detail—note the texture of the fur, the articulation of the fingers and toes. The resulting patina, a dark brown with hints of green, develops naturally over time or can be induced through chemical treatments. Japanese bronze-workers prize a surface that suggests age and use whilst remaining legible. This monkey's compact size and stable base make it versatile. On a desk, it serves as both paperweight and contemplation object—Japanese scholars and writers traditionally kept small sculptures or scholar's rocks within view to rest the eyes during long hours of work. In a tokonoma alcove, paired with a hanging scroll or seasonal flower arrangement, it introduces a note of playful energy. The bronze's dark surface contrasts beautifully with pale woods, washi paper, and natural fibres. Western collectors often place such pieces on bookshelves or side tables, where the sculpture's modest scale and quiet presence suit contemporary interiors. Ōuchi Seifū's recognition—membership in the Japan Art Academy, the Order of the Sacred Treasure—indicates standing within Japan's official art world. These institutions upheld academic standards and traditional values against the tide of modernist experimentation. His work represents a lineage of Japanese sculpture that values craftsmanship, cultural continuity, and accessibility over avant-garde innovation. For collectors of Japanese bronzes or anyone drawn to animal sculpture that balances naturalism and stylisation, this monkey offers a charming example of mid-century Japanese academic art at its most approachable. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer's responsibility. Seller Guarantee We specialise in authentic Japanese metalwork and guarantee this piece's authenticity. Questions welcome – we reply within 24 hours.