編號 100453416

Shigaraki艺术家签名花瓶——20世纪中期工作室陶艺 - 瓷器 - 日本 - 昭和年代(1926-1989)
編號 100453416

Shigaraki艺术家签名花瓶——20世纪中期工作室陶艺 - 瓷器 - 日本 - 昭和年代(1926-1989)
– Shigaraki: one of Japan's Six Ancient Kilns (Rokkoyō) – Artist-signed vessel demonstrating regional aesthetic – Natural ash glaze effects characteristic of wood-fired ceramics
Summary: This sculptural flower vessel comes from Shigaraki, one of Japan's oldest and most celebrated pottery centres. Bearing the artist's signature, the piece demonstrates Shigaraki's distinctive aesthetic – thick-walled forms, natural ash deposits from wood firing, and warm earth-tone clay bodies rich in feldspar. Shigaraki's kilns have operated since the 13th century, initially producing storage jars and agricultural vessels before gaining recognition among tea masters for rustic beauty and unpretentious charm. By the mid-20th century, Shigaraki had evolved into a studio pottery centre attracting independent artists drawn by the region's exceptional clay and deep ceramic heritage. This work reflects that evolution, combining traditional forms with individual artistic interpretation.
Shigaraki pottery wears its origins honestly. The clay speaks – gritty, warm, slightly rough to touch – announcing itself as earth transformed by fire rather than refined industrial product. This directness appealed to Japanese tea masters seeking alternatives to Korean imports and Chinese porcelain, and it continues to resonate with collectors valuing material authenticity over technical perfection.
The region's clay contains high feldspar content that produces characteristic orange-red firing colours and occasional white speckling (ishihaze – "stone burst"). During extended wood firing, flying ash settles on vessel surfaces, melting into natural glazes that range from green-brown to glossy amber depending on placement within the kiln and flame path. These accidental effects – valued for their unrepeatable uniqueness – define Shigaraki aesthetic as much as any intentional design decision. Potters learned to work with rather than against these variables, positioning pieces strategically and shaping forms that enhanced ash deposition patterns.
This vessel's organic form and textured surface exemplify Shigaraki's approach to beauty through natural process. The artist's signature confirms individual authorship while connecting the work to centuries of regional tradition. The substantial walls and earthy palette suit generous floral arrangements – autumn branches, summer grasses, spring flowering boughs – that echo the piece's rustic character. In contemporary settings, Shigaraki ceramics provide textural contrast to smooth surfaces and manufactured materials, introducing warmth and handmade quality into spaces dominated by glass, metal, and concrete.
For collectors building Japanese ceramic collections, Shigaraki represents essential acquisition territory – works that embody core principles of Japanese aesthetic philosophy (wabi-sabi, acceptance of imperfection, appreciation for natural processes) while offering daily usability and timeless visual appeal. The piece bridges folk craft and fine art, appealing equally to those valuing historical continuity and those seeking distinctive decorative objects for modern living.
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