A Baule male sculpture, Beomi region, Cote d'Ivoire, on a rounded platform, hands on his abdomen, an ornamenzt around the waist; long braided beard and hair in a low bun. Light wood, slightly glossy patina. Baulé sculpture from the Sakassou region of central Côte d’Ivoire occupies a central place within Baulé religious and social life, where carved figures serve as intermediaries between the visible world and the realm of spiritual forces. In Sakassou, sculpture is closely associated with concepts of balance, beauty, and moral order, and its production reflects deeply rooted aesthetic and philosophical principles rather than individual artistic expression alone. Wooden figures from this region are best known for their refined naturalism and harmonious proportions. Human representations display carefully modeled faces, smooth surfaces, and composed expressions that convey inner calm and self-control. Features such as elongated necks, arched eyebrows, and delicately shaped mouths conform to Baulé ideals of physical and moral beauty, which are believed to attract benevolent spiritual attention. This emphasis on visual elegance is not merely decorative but is integral to the sculpture’s ritual effectiveness. Many Sakassou sculptures are associated with spirit spouses and protective entities that influence personal fortune, fertility, and social success. These figures are kept in private shrines and receive offerings to maintain a reciprocal relationship between humans and the spiritual world. Their pristine appearance is often carefully preserved, as visual refinement is thought to please the spirits and ensure their continued favor. In contrast to traditions that emphasize visible ritual accretion, Baulé practice tends toward controlled surfaces and measured ritual intervention. Sculptors in the Sakassou region work within established conventions transmitted through apprenticeship and lineage, yet the area is known for a high degree of technical mastery and stylistic consistency. While individual hands can sometimes be distinguished through subtle variations in proportion or carving finesse, authorship remains subordinate to cultural norms and ritual correctness. Innovation is restrained, ensuring continuity of form and meaning across generations. Baulé sculpture from Sakassou thus exemplifies an artistic tradition in which aesthetic refinement, spiritual efficacy, and social values are tightly interwoven. These works embody an idealized vision of humanity that serves both devotional and ethical functions, reinforcing the harmony between individuals, society, and the spiritual realm. CAB31919