編號 102016575

無法使用
一个青铜头像 - 贝宁 - 尼日利亞
競投已結束
一週前

一个青铜头像 - 贝宁 - 尼日利亞

A bronze head in the style of Benin, Nigeria, with remnants of iron inlays, the oxidised patina greenish and encrusted. The present Benin head exemplifies a sculptural typology distinguished by recurring features: forehead scarification, coral neck adornments, and a concentric braided coiffure commonly referred to as the “Ibo hairstyle,” alongside a crown perforation possibly intended for ivory attachment and a heart-shaped, slightly parted mouth. Remnants on the forehead indicate the former presence of iron plates, traditionally employed to accentuate scarification, while the pupils were often inlaid with iron—a material attributed special metaphysical potency in Benin bronzes. This example is further distinguished by a rare mustache tattoo, an uncommon variation within the type. In nearly all other respects it corresponds closely to heads lacking this feature, suggesting a shared iconographic program. Philip Dark has proposed a link to a standing messenger figure bearing a similar tattoo, though its significance—variously interpreted as messenger, priest, king, or secret society member—remains uncertain. Such associations nonetheless underscore the head’s localization within the Benin courtly milieu, a point debated by Paula Ben-Amos. Scholarship by Ekpo Eyo and Willett, Ben-Amos, Dark, Plankensteiner, Poynor, Blier, and Vogelsang-Eastwood provides a comprehensive framework for understanding how scarification, iron inlay, coiffure, and rare tattooing codify identity, status, and ritual meaning in sixteenth-century Benin. Ekpo Eyo, Frank, and Frank Willett. Kunstschätze aus Alt-Nigeria. Mainz, 1983. Paula Girshick Ben-Amos. The Art of Benin. London, 1995. Philip J. C. Dark. An Introduction to Benin Art and Technology. Oxford, 1973. Barbara Plankensteiner, ed. Benin: Könige und Rituale. Höfische Kunst aus Nigeria. Vienna, 2007. Robin Poynor. The Benin Bronzes. London, 1992. Suzanne Preston Blier. Royal Arts of Africa: The Majesty of Form. Washington, D.C., 1998. Gillian Vogelsang-Eastwood. Hairstyles in African Art: Identity, Rank, and Ritual. London, 2000.

編號 102016575

無法使用
一个青铜头像 - 贝宁 - 尼日利亞

一个青铜头像 - 贝宁 - 尼日利亞

A bronze head in the style of Benin, Nigeria, with remnants of iron inlays, the oxidised patina greenish and encrusted.

The present Benin head exemplifies a sculptural typology distinguished by recurring features: forehead scarification, coral neck adornments, and a concentric braided coiffure commonly referred to as the “Ibo hairstyle,” alongside a crown perforation possibly intended for ivory attachment and a heart-shaped, slightly parted mouth. Remnants on the forehead indicate the former presence of iron plates, traditionally employed to accentuate scarification, while the pupils were often inlaid with iron—a material attributed special metaphysical potency in Benin bronzes.

This example is further distinguished by a rare mustache tattoo, an uncommon variation within the type. In nearly all other respects it corresponds closely to heads lacking this feature, suggesting a shared iconographic program. Philip Dark has proposed a link to a standing messenger figure bearing a similar tattoo, though its significance—variously interpreted as messenger, priest, king, or secret society member—remains uncertain.

Such associations nonetheless underscore the head’s localization within the Benin courtly milieu, a point debated by Paula Ben-Amos. Scholarship by Ekpo Eyo and Willett, Ben-Amos, Dark, Plankensteiner, Poynor, Blier, and Vogelsang-Eastwood provides a comprehensive framework for understanding how scarification, iron inlay, coiffure, and rare tattooing codify identity, status, and ritual meaning in sixteenth-century Benin.

Ekpo Eyo, Frank, and Frank Willett. Kunstschätze aus Alt-Nigeria. Mainz, 1983. Paula Girshick Ben-Amos. The Art of Benin. London, 1995. Philip J. C. Dark. An Introduction to Benin Art and Technology. Oxford, 1973. Barbara Plankensteiner, ed. Benin: Könige und Rituale. Höfische Kunst aus Nigeria. Vienna, 2007. Robin Poynor. The Benin Bronzes. London, 1992. Suzanne Preston Blier. Royal Arts of Africa: The Majesty of Form. Washington, D.C., 1998. Gillian Vogelsang-Eastwood. Hairstyles in African Art: Identity, Rank, and Ritual. London, 2000.

競投已結束
Dimitri André
專家
估價  € 1,000 - € 1,100

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