中国 YUAN-MING 多彩湿壁画 抹灰湿壁画 - 102 cm
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彩繪石膏壁畫，中國元明時期，創作於十三世紀末至十六世初，含框尺寸為110 × 83 cm（不含框為102 × 76 cm），重9.8 kg，描繪一位天神女侍演奏中國鏪鈸並以金箔點綴的浮雕紋理。
AI輔助摘要
賣家描述
Description
A STUCCO FRESCO, YUAN-MING
Polychrome fresco painting with a celestial deity playing the Chinese cymbals, with textural details picked out in gesso relief. The cymbals embellished with gold foil.
Attired in a flowing robe with sashes, the demigoddess is crowned by an elaborate headdress and shown standing on a terrace with vines and leaves hanging from above.
Old hardwood frame with heavy bronze fitting. The frame is coffered on the backside and can be opened by activating an integrated mechanism.
Datation
China, 13th-16th century.
Provenance
A French private collection. Old inventory number 29.6 painted to frame. By repute, this is referring to an original acquisition date of June 1929.
Condition:
Good condition with rubbing, soiling, crackling and losses. A few spots here and there. The colors possibly a bit faded in some areas. The gold foil partially lost. Absolutely original, no restoration whatsoever.
Possibly a few minuscule touchups to the background, but this is impossible to confirm, because nothing shows under even the strongest ultraviolet light.
Weight:
9.8 kilograms.
Dimensions:
110 x 83 cm including the frame, 102 x 76 cm without the frame.
Chinese Musical Demigods
Depicting Chinese Musical Demigods are inspired by earlier depictions of Buddhist deities, like the ones seen in the Mogao grottoes at Dunhuang.
Ming painters of Buddhist subjects sought to mimic the style of the Tang dynasty artist Wu Daozi, considered a master of Buddhist mural paintings.
Examples of Ming paintings executed in the tradition of Wu are discussed in 'Latter Days of the Law: Images of Chinese Buddhism 850-1850' by Helen Foresman, Spencer Museum of Art, Kansas, 1995, pages 55 and 446. Followers also studied and adhered to Wu's Eight Classes of Supernatural Beings (Tian Long Ba Bu Zhen Ji), whose classification included 'celestial beings, musical demigods, and mythical bird-gods'.
Compare the present frescoes with the murals in the Mogao grottoes at Dunhuang, Cave 57, illustrated in Roderick Whitfield ‘Cave Temples of Mogao, Art and History on the Silk Road’, Los Angeles, 2000, page 37, and the Bodhisattva murals in caves 172 and 199, illustrated in Chang Shuhong ’The Art Treasures of Dunhuang’, Hong Kong and New York, 1981, which pay specifically close attention to the garments and ornamentation of the figures.
Description
A STUCCO FRESCO, YUAN-MING
Polychrome fresco painting with a celestial deity playing the Chinese cymbals, with textural details picked out in gesso relief. The cymbals embellished with gold foil.
Attired in a flowing robe with sashes, the demigoddess is crowned by an elaborate headdress and shown standing on a terrace with vines and leaves hanging from above.
Old hardwood frame with heavy bronze fitting. The frame is coffered on the backside and can be opened by activating an integrated mechanism.
Datation
China, 13th-16th century.
Provenance
A French private collection. Old inventory number 29.6 painted to frame. By repute, this is referring to an original acquisition date of June 1929.
Condition:
Good condition with rubbing, soiling, crackling and losses. A few spots here and there. The colors possibly a bit faded in some areas. The gold foil partially lost. Absolutely original, no restoration whatsoever.
Possibly a few minuscule touchups to the background, but this is impossible to confirm, because nothing shows under even the strongest ultraviolet light.
Weight:
9.8 kilograms.
Dimensions:
110 x 83 cm including the frame, 102 x 76 cm without the frame.
Chinese Musical Demigods
Depicting Chinese Musical Demigods are inspired by earlier depictions of Buddhist deities, like the ones seen in the Mogao grottoes at Dunhuang.
Ming painters of Buddhist subjects sought to mimic the style of the Tang dynasty artist Wu Daozi, considered a master of Buddhist mural paintings.
Examples of Ming paintings executed in the tradition of Wu are discussed in 'Latter Days of the Law: Images of Chinese Buddhism 850-1850' by Helen Foresman, Spencer Museum of Art, Kansas, 1995, pages 55 and 446. Followers also studied and adhered to Wu's Eight Classes of Supernatural Beings (Tian Long Ba Bu Zhen Ji), whose classification included 'celestial beings, musical demigods, and mythical bird-gods'.
Compare the present frescoes with the murals in the Mogao grottoes at Dunhuang, Cave 57, illustrated in Roderick Whitfield ‘Cave Temples of Mogao, Art and History on the Silk Road’, Los Angeles, 2000, page 37, and the Bodhisattva murals in caves 172 and 199, illustrated in Chang Shuhong ’The Art Treasures of Dunhuang’, Hong Kong and New York, 1981, which pay specifically close attention to the garments and ornamentation of the figures.
詳細資料
文化
china YUAN-MING
世紀/時間框架
end of 13th to early 16th century
Name of object
Polychrome fresco painting A STUCCO FRESCO
獲得來源
私人收藏
獲得年份
1929
獲得國家
法國
狀態
極好
前任擁有者獲得來源
拍賣行
Height
102 cm
前任擁有者獲得年份
2020
Width
76 cm
前任擁有者獲得國家
法國
Depth
3 cm
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Catawiki已告知賣家有關文件的要求，賣家須保證如下： - 物品為合法獲得； - 賣家有權出售和/或出口相關物品； - 賣家依據當地法規（如適用）提供必要的原產地資訊，並辦理所需文件和許可證/執照； - 若許可證/執照的取得發生任何延誤，賣家須通知買家。 參與競標即表示您知悉，根據您的居住國，可能需要進口文件，而取得許可證／執照可能導致您的物品延遲交付。
