站架 - 木 - 中國 (沒有保留價)





Catawiki買家保障
在您收到物品前,我們會妥善保管您的付款。查看詳情
Trustpilot評分 4.4 | 132849 則評論
在Trustpilot獲得極佳評等。
賣家描述
Antiquete Chinese Carved Hardwood Plant Stand, c. 1920–1930
Carved hardwood plant stand or side table, designed for displaying vases, plants, or decorative objects.
Size: Height 79 cm, width 42 cm, depth 42 cm.
Structurally stable. Surface shows age-related wear including light scratches, minor abrasions, and wear to the lower sections and feet. Carved details remain clearly defined. Assembly markings “6666” are present on the leg joints. The item will be shipped exactly as shown in the photographs, so please examine all photos carefully.
Hand-carved hardwood construction with openwork detailing, sculptural leg design, and integrated lower shelf. The presence of traditional carving combined with workshop production techniques reflects transitional Chinese furniture production intended for both domestic and export markets.
The form and carving style follow late Qing to early 20th-century Chinese decorative furniture traditions. The repeated “6666” markings are primarily assembly or workshop identification numbers. While the number 6 in Chinese culture is associated with smooth progress, the markings should be understood mainly as production-related codes rather than symbolic decoration.
賣家的故事
Antiquete Chinese Carved Hardwood Plant Stand, c. 1920–1930
Carved hardwood plant stand or side table, designed for displaying vases, plants, or decorative objects.
Size: Height 79 cm, width 42 cm, depth 42 cm.
Structurally stable. Surface shows age-related wear including light scratches, minor abrasions, and wear to the lower sections and feet. Carved details remain clearly defined. Assembly markings “6666” are present on the leg joints. The item will be shipped exactly as shown in the photographs, so please examine all photos carefully.
Hand-carved hardwood construction with openwork detailing, sculptural leg design, and integrated lower shelf. The presence of traditional carving combined with workshop production techniques reflects transitional Chinese furniture production intended for both domestic and export markets.
The form and carving style follow late Qing to early 20th-century Chinese decorative furniture traditions. The repeated “6666” markings are primarily assembly or workshop identification numbers. While the number 6 in Chinese culture is associated with smooth progress, the markings should be understood mainly as production-related codes rather than symbolic decoration.

