編號 103892412

已出售
一个木制面具 - Guro - 象牙海岸  (沒有保留價)
最終出價
€ 346
沒有保留價
10 週前

一个木制面具 - Guro - 象牙海岸 (沒有保留價)

This Guro mask from the Sinfra region belongs to the cultural context of masked performance traditions that emerged in the central-western part of Côte d’Ivoire from the 19th century onward, in close interaction with neighboring Dan, Yaure, and Baule groups. A characteristic feature of many Guro masks is the combination of human physiognomy with zoomorphic headdresses, which visualize notions of spiritual power, social order, and fertility. The mask itself is marked by remarkable formal rigor. The reduced facial features - with downward-facing triangular eye openings and a single upward-facing opening for the mouth or nose - suggest an abstract aesthetic that articulates metaphysical presence rather than individuality. A monumental bird rises from the head, its sculptural rendering forming the true iconographic focal point. The elongated beak, resting protectively on the chest, conceals an egg behind it - an obvious symbol of regenerative power and cosmic renewal. The ribbed neck, the meticulously crafted feathers, and the ringed legs lend the creature both dignity and ornamental rhythm. Within Guro art, bird motifs often signify the mediation between the earthly and spiritual realms. The connection between the ascetic mask form and the elaborate animal headdress, as seen here, points to the particular significance of performative presence and symbolic transformation in the Guro mask tradition. The fusion of ascetic mask form and elaborate animal headdress, as seen here, points to the special importance of performative presence and symbolic transformation in the Guro masked persona. Literature (selection) Jaenicke-Njoya archive CAB41235 Anita J. Glaze, Art and Death in a Senufo Village, Bloomington 1981. Eberhard Fischer / Hans Himmelheber, The Art of the Ivory Coast, Zurich 1984. Susan M. Vogel, Baule: African Art, Western Eyes, New Haven 1997. Herbert M. Cole, Icons: Ideals and Power in the Art of Africa, Washington D.C. 1989. This description is made with AI. Despite careful individual review, the use of Artificial Intelligence may result in errors or inaccuracies in the description.

編號 103892412

已出售
一个木制面具 - Guro - 象牙海岸  (沒有保留價)

一个木制面具 - Guro - 象牙海岸 (沒有保留價)

This Guro mask from the Sinfra region belongs to the cultural context of masked performance traditions that emerged in the central-western part of Côte d’Ivoire from the 19th century onward, in close interaction with neighboring Dan, Yaure, and Baule groups. A characteristic feature of many Guro masks is the combination of human physiognomy with zoomorphic headdresses, which visualize notions of spiritual power, social order, and fertility.

The mask itself is marked by remarkable formal rigor. The reduced facial features - with downward-facing triangular eye openings and a single upward-facing opening for the mouth or nose - suggest an abstract aesthetic that articulates metaphysical presence rather than individuality. A monumental bird rises from the head, its sculptural rendering forming the true iconographic focal point. The elongated beak, resting protectively on the chest, conceals an egg behind it - an obvious symbol of regenerative power and cosmic renewal. The ribbed neck, the meticulously crafted feathers, and the ringed legs lend the creature both dignity and ornamental rhythm.

Within Guro art, bird motifs often signify the mediation between the earthly and spiritual realms. The connection between the ascetic mask form and the elaborate animal headdress, as seen here, points to the particular significance of performative presence and symbolic transformation in the Guro mask tradition.

The fusion of ascetic mask form and elaborate animal headdress, as seen here, points to the special importance of performative presence and symbolic transformation in the Guro masked persona.

Literature (selection)
Jaenicke-Njoya archive CAB41235
Anita J. Glaze, Art and Death in a Senufo Village, Bloomington 1981.
Eberhard Fischer / Hans Himmelheber, The Art of the Ivory Coast, Zurich 1984.
Susan M. Vogel, Baule: African Art, Western Eyes, New Haven 1997.
Herbert M. Cole, Icons: Ideals and Power in the Art of Africa, Washington D.C. 1989.

This description is made with AI. Despite careful individual review, the use of Artificial Intelligence may result in errors or inaccuracies in the description.

最終出價
€ 346
沒有保留價
Surya Rutten
專家
估價  € 900 - € 1,100

類似物品

中的精彩好物

非洲與部落藝術

設置搜索提醒
設置搜索提醒,以便在有新匹配可用時收到通知。

該物品在

                                        
                                                                                                    
                    
                                        
                                                                                                    
                    
                                        
                                                                                                    
                    
                                        
                                                                                                    
                    

如何在Catawiki上購買

了解更多有關買家保護

      1. 發現獨特物品

      瀏覽專家挑選的數千件獨特物品。查看每件獨特物品的照片、詳情和估價。 

      2. 出價最高

      找到您喜歡的物品並作出最高的出價。您可以跟隨拍賣進行到底,也可以讓我們的系統為您出價。您所要做的就是為您要支付的最高金額設置出價。 

      3. 作出安全可靠的付款

      為您的獨特物品付款,我們將在您的物品安全無恙抵達前,確保您的付款安全。我們使用受信任的支付系統來處理所有交易。 

有類近的物品可以出售?

無論您是網上拍賣的新手還是專業銷售人員,我們都可以幫助您為您的獨特物品賺取更多收益。

出售您的物品