編號 104831431

已出售
“四十七士的节日(四十七士の祭り)” 第45/300版 - 丝网印刷 - Takeo Homma(本間武男) (1929-2006) - 日本 - 昭和年代(1926-1989)
最終出價
€ 4
沒有保留價
2 週前

“四十七士的节日(四十七士の祭り)” 第45/300版 - 丝网印刷 - Takeo Homma(本間武男) (1929-2006) - 日本 - 昭和年代(1926-1989)

Takeo Homma(本間武男) – Festival of the Forty-Seven Ronin(四十七士の祭り) Silkscreen | Edition 45/300 This striking silkscreen print by Takeo Homma draws inspiration from one of the most iconic stories in Japanese history: the tale of the Forty-Seven Ronin — a legend of loyalty, sacrifice, and unwavering honor that continues to resonate deeply within Japanese culture. Rather than depicting the historical episode literally, Homma transforms the subject into something dreamlike and symbolic. A monumental warrior figure emerges through softly falling circles of light, while below, a horse and solitary traveler move quietly through a snow-covered landscape. The composition feels suspended between memory and myth, reality and spirit. The towering samurai presence does not feel aggressive or triumphant; instead, it appears ghostlike — almost as if the spirit of history itself is watching over the frozen land below. The floating dots scattered across the composition resemble falling snow, lantern lights, or drifting memories. This subtle ambiguity is one of the work’s greatest strengths. Homma invites the viewer not simply to observe a scene, but to enter an emotional space shaped by silence, winter, and remembrance. The visual balance is particularly sophisticated. The upper section is dense with symbolic power, while the lower landscape remains sparse and minimal. This contrast creates a remarkable sense of scale and emotional distance, emphasizing the loneliness and dignity often associated with the samurai ethos. The muted grey-blue palette gives the print an almost nocturnal calm, while the pale gold and turquoise accents create delicate movement across the image. The result is elegant rather than theatrical — a work that reveals more emotional depth the longer one looks at it. More than a historical reference, Festival of the Forty-Seven Ronin becomes a meditation on memory, loyalty, and the quiet persistence of cultural identity. It is a work that speaks not only to Japanese history, but to universal themes of honor, endurance, and the haunting beauty of the past. ◆Takeo Homma – Biography◆ Born in 1929 in Yoichi, Hokkaido, Japanese artist Takeo Homma became widely recognized for his poetic depictions of the northern Japanese landscape, especially the snowy scenery and wetlands of Hokkaido. He studied under the renowned watercolor painter Shinkichi Miyazaki and later worked as both an illustrator and fine artist, developing a distinctive style that combines lyrical atmosphere with refined color harmony. Homma gained particular acclaim for his series themed around the quiet beauty of Hokkaido, often described as works filled with “grey lyricism” and contemplative silence. Beyond Japan, Homma actively exhibited internationally and built a strong overseas presence. He held exhibitions in Geneva, Athens, Romania, Honfleur, Barcelona, Stockholm, Scotland, and other cultural centers across Europe. He also participated in international triennale exhibitions and took part in Greek art conferences, demonstrating his engagement with the broader international art world. His works were collected by notable institutions and collectors abroad, including the Victoria University Art Museum in Australia, the Edinburgh Art Museum in the United Kingdom, and the Petit Palais Museum in Switzerland. [Size] Overall size 47.3×24cm picture 41×18cm [Condition] Good condition. The margins and back of the book show signs of age-related deterioration. Please check the photos before bidding. Any taxes related to international shipping must be borne by the purchaser. ※Recently, there have been an increasing number of cases where items are returned to Japan due to non-payment of taxes such as customs duties and consumption tax upon receipt. Paying taxes is the buyer's responsibility, so please be sure to pay them. Occasionally, customs or the delivery company in your country may contact you for customs clearance via phone or email. Kindly ensure you are available to respond. Failure to do so may result in the parcel being returned to me, incurring additional shipping fees for reshipment. Your cooperation is greatly appreciated. I will pack the item securely, but there may be cases where the item is repackaged at customs or damaged upon arrival due to a mistake by the shipping company. If this happens, please contact me immediately. Please promptly send me a photo of the item when it arrives and a photo of the damage to the item. We will provide refunds depending on the situation.

編號 104831431

已出售
“四十七士的节日(四十七士の祭り)” 第45/300版 - 丝网印刷 - Takeo Homma(本間武男) (1929-2006) - 日本 - 昭和年代(1926-1989)

“四十七士的节日(四十七士の祭り)” 第45/300版 - 丝网印刷 - Takeo Homma(本間武男) (1929-2006) - 日本 - 昭和年代(1926-1989)

Takeo Homma(本間武男) – Festival of the Forty-Seven Ronin(四十七士の祭り)
Silkscreen | Edition 45/300

This striking silkscreen print by Takeo Homma draws inspiration from one of the most iconic stories in Japanese history: the tale of the Forty-Seven Ronin — a legend of loyalty, sacrifice, and unwavering honor that continues to resonate deeply within Japanese culture.

Rather than depicting the historical episode literally, Homma transforms the subject into something dreamlike and symbolic.
A monumental warrior figure emerges through softly falling circles of light, while below, a horse and solitary traveler move quietly through a snow-covered landscape. The composition feels suspended between memory and myth, reality and spirit.


The towering samurai presence does not feel aggressive or triumphant; instead, it appears ghostlike — almost as if the spirit of history itself is watching over the frozen land below.

The floating dots scattered across the composition resemble falling snow, lantern lights, or drifting memories.
This subtle ambiguity is one of the work’s greatest strengths. Homma invites the viewer not simply to observe a scene, but to enter an emotional space shaped by silence, winter, and remembrance.

The visual balance is particularly sophisticated.
The upper section is dense with symbolic power, while the lower landscape remains sparse and minimal. This contrast creates a remarkable sense of scale and emotional distance, emphasizing the loneliness and dignity often associated with the samurai ethos.

The muted grey-blue palette gives the print an almost nocturnal calm, while the pale gold and turquoise accents create delicate movement across the image.
The result is elegant rather than theatrical — a work that reveals more emotional depth the longer one looks at it.

More than a historical reference, Festival of the Forty-Seven Ronin becomes a meditation on memory, loyalty, and the quiet persistence of cultural identity.
It is a work that speaks not only to Japanese history, but to universal themes of honor, endurance, and the haunting beauty of the past.

◆Takeo Homma – Biography◆

Born in 1929 in Yoichi, Hokkaido, Japanese artist Takeo Homma became widely recognized for his poetic depictions of the northern Japanese landscape, especially the snowy scenery and wetlands of Hokkaido.
He studied under the renowned watercolor painter Shinkichi Miyazaki and later worked as both an illustrator and fine artist, developing a distinctive style that combines lyrical atmosphere with refined color harmony.

Homma gained particular acclaim for his series themed around the quiet beauty of Hokkaido, often described as works filled with “grey lyricism” and contemplative silence.

Beyond Japan, Homma actively exhibited internationally and built a strong overseas presence.
He held exhibitions in Geneva, Athens, Romania, Honfleur, Barcelona, Stockholm, Scotland, and other cultural centers across Europe.
He also participated in international triennale exhibitions and took part in Greek art conferences, demonstrating his engagement with the broader international art world.

His works were collected by notable institutions and collectors abroad, including the Victoria University Art Museum in Australia, the Edinburgh Art Museum in the United Kingdom, and the Petit Palais Museum in Switzerland.


[Size]
Overall size
47.3×24cm

picture
41×18cm

[Condition]
Good condition.

The margins and back of the book show signs of age-related deterioration.
Please check the photos before bidding.

Any taxes related to international shipping must be borne by the purchaser.
※Recently, there have been an increasing number of cases where items are returned to Japan due to non-payment of taxes such as customs duties and consumption tax upon receipt.
Paying taxes is the buyer's responsibility, so please be sure to pay them.

Occasionally, customs or the delivery company in your country may contact you for customs clearance via phone or email. Kindly ensure you are available to respond. Failure to do so may result in the parcel being returned to me, incurring additional shipping fees for reshipment.
Your cooperation is greatly appreciated.



I will pack the item securely, but there may be cases where the item is repackaged at customs or damaged upon arrival due to a mistake by the shipping company.
If this happens, please contact me immediately.
Please promptly send me a photo of the item when it arrives and a photo of the damage to the item.
We will provide refunds depending on the situation.

最終出價
€ 4
沒有保留價
Sandra Wong
專家
估價  € 250 - € 300

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