Yoruba Maternity Figure, Nigeria, Ekiti Region, attributed to Olowe of Ise, c. 1873–1938, or his workshop, standing on a wooden pedestal, this remarkable maternity figure is adorned with a series of masks—a hallmark of Olowe’s sculptural vocabulary. At the base, several figures accompany the central female form, including one child carried on her back and another nursing at her breast. The figure’s intricately carved hairstyle and carefully modeled facial features are characteristic of Olowe’s work, offering a compelling basis for comparison with his early pieces. The composition exemplifies the artist’s dynamic approach to narrative and form, reflecting both technical mastery and the social-cultural context of Yoruba maternity imagery. Yoruba Maternity Figures, Nigeria, Ekiti Region, attributed to Olowe of Ise or his workshop. This remarkable maternity figure, collected in the Ekiti region of southwestern Nigeria,standing upon a wooden pedestal, the central female figure is adorned with a series of masks, a compositional device frequently employed by Olowe, which animates the work with both symbolic resonance and formal rhythm. At her feet, multiple subsidiary figures populate the base, including one child carried on her back and another nursing at her breast, establishing a narrative that intertwines maternal intimacy with communal and ritual significance. The figure’s finely carved hairstyle and the carefully modeled facial features demonstrate the technical precision characteristic of Olowe’s early output. These elements invite direct comparison with his known early works, which similarly balance stylization and individualization, revealing a deep engagement with human physiognomy, gesture, and proportion. The integration of multiple figures and masks within a single composition reflects an experimental approach to narrative space, one that prefigures the more monumental ensembles for which Olowe would later achieve renown. This piece exemplifies the synthesis of personal expression, courtly aesthetic, and symbolic function that defines Yoruba sculpture of this period. Through its combination of detailed carving, dynamic composition, and evocative storytelling, the work provides not only an intimate portrayal of maternity but also insight into the evolving visual language of Ekiti court art and the formative phase of Olowe’s extraordinary career. References: Walker, Roslyn Adele. Olowe of Ise: A Yoruba Sculptor to Kings. Smithsonian Institution, 1998. Walker, Roslyn Adele. “Olowe of Ise.” African Arts, 1998. Metropolitan Museum of Art. Object labels and catalogue entries on Yoruba palace doors and figures. Smithsonian National Museum of African Art. Olowe of Ise: Sculptor to Kings, 1998 exhibition catalogue. CA35381