Otto Van Veen (1556-1629), 派系- - Ecce Homo





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賣家描述
✦ 全球范围内免费运输 ✦ 评价极佳
A moving and finely executed depiction of Christ as the Ecce Homo, shown half-length, crowned with thorns and clothed in a crimson robe. The composition focuses entirely on the psychological and devotional presence of Christ, whose downcast gaze and melancholic expression convey both the physical suffering and spiritual pathos of the Passion. The intimate scale, careful modelling of the flesh tones, and luminous handling of light reflect the enduring influence of the Northern Renaissance tradition well into the 16th century.
以动人且精致的笔触描绘基督作为 Ecce Homo 的形象,半身像,头戴荆冠,身披深红色袍。构图完全聚焦在基督的心理与虔诚信仰的存在,低垂的目光与忧郁的表情传达了肉体苦难和圣经殉道的灵性哀愁。亲密的尺寸、对肌肉色调的精细塑造,以及光线的明亮处理,显示出北方文艺复兴传统的持久影响,一直到16世纪。
Executed in oil on panel, the work bears an old attribution on the reverse to Otto van Veen (Otto Vaenius), the celebrated Flemish painter, humanist, and later teacher of Rubens. An inscription on the panel verso reads: “Otto Vaenius geb. zu Leyden pinxit 1556.” Although this attribution remains unconfirmed, the painting is nevertheless a compelling example of late Renaissance devotional art.
以油画颜料绘制于木板之上,作品背面有一则旧署名,指向弗拉芒画家、人文主义者、后成为鲁本斯导师的奥托·范·费恩(Otto van Veen / Otto Vaenius)。画板背面有铭文:“Otto Vaenius geb. zu Leyden pinxit 1556.” 虽然这一署名尚未得到确认,然而这幅画仍是晚期文艺复兴虔信艺术的引人注目的范例。
Also present on the reverse is an unidentified wax seal.
背面还附有一个未识别的蜡封印。
⦿ Dimensions (approx.): 35,5 x 48,5 cm (visible artwork), 48,5 cm x 61,5 cm (incl. frame/total).
⦿ 尺寸(大致):35,5 x 48,5 cm(可见艺术品尺寸),48,5 x 61,5 cm(含框/总尺寸)。
⦿ Condition: Exhibits an authentic patina of age (see pictures). Historical repaired tension cracks; retouches and varnish.
⦿ 状态:具有真实的年代锈痕/包浆(见图片)。历史性修补的应力裂缝;局部修整与清漆。
⦿ Estimated Period: late 16th century but perhaps older, based on estimated thickness of the panel and roughness of the vertical scrub planes on the back.
⦿ 估计时期:晚16世纪,但也可能更早,基于木板的厚度估计以及背面的竖向清理平面粗糙度。
⦿ Please note: Frame included gratis; not part of hammer price.
⦿ 请注意:框架免费;不属于成交价的一部分。
⦿ Shipping: Fast dispatch ✓ Tracked ✓ Insured ✓ Eco-friendly ✓
⦿ 运输:快速发货 ✓ 可追踪 ✓ 保险 ✓ 环保 ✓
– Dispatched from Germany, or local (free coffee:)) pick-up available. Please ensure your shipping details are complete and accurate to help avoid delays.
– 从德国发货,亦可在当地自提(免费咖啡:))可选。请确保您的运输信息完整准确,以帮助避免延误。
⦿ Colour disclaimer: Digital screens display colours differently; the item may appear slightly different in person.
⦿ 颜色免责声明:数字屏幕显示的颜色可能有所差异;实物颜色可能略有不同。
⦿ Please consider reusing or recycling the packaging. Thank you!
⦿ 请考虑重复使用或回收包装材料。谢谢!
賣家的故事
✦ 全球范围内免费运输 ✦ 评价极佳
A moving and finely executed depiction of Christ as the Ecce Homo, shown half-length, crowned with thorns and clothed in a crimson robe. The composition focuses entirely on the psychological and devotional presence of Christ, whose downcast gaze and melancholic expression convey both the physical suffering and spiritual pathos of the Passion. The intimate scale, careful modelling of the flesh tones, and luminous handling of light reflect the enduring influence of the Northern Renaissance tradition well into the 16th century.
以动人且精致的笔触描绘基督作为 Ecce Homo 的形象,半身像,头戴荆冠,身披深红色袍。构图完全聚焦在基督的心理与虔诚信仰的存在,低垂的目光与忧郁的表情传达了肉体苦难和圣经殉道的灵性哀愁。亲密的尺寸、对肌肉色调的精细塑造,以及光线的明亮处理,显示出北方文艺复兴传统的持久影响,一直到16世纪。
Executed in oil on panel, the work bears an old attribution on the reverse to Otto van Veen (Otto Vaenius), the celebrated Flemish painter, humanist, and later teacher of Rubens. An inscription on the panel verso reads: “Otto Vaenius geb. zu Leyden pinxit 1556.” Although this attribution remains unconfirmed, the painting is nevertheless a compelling example of late Renaissance devotional art.
以油画颜料绘制于木板之上,作品背面有一则旧署名,指向弗拉芒画家、人文主义者、后成为鲁本斯导师的奥托·范·费恩(Otto van Veen / Otto Vaenius)。画板背面有铭文:“Otto Vaenius geb. zu Leyden pinxit 1556.” 虽然这一署名尚未得到确认,然而这幅画仍是晚期文艺复兴虔信艺术的引人注目的范例。
Also present on the reverse is an unidentified wax seal.
背面还附有一个未识别的蜡封印。
⦿ Dimensions (approx.): 35,5 x 48,5 cm (visible artwork), 48,5 cm x 61,5 cm (incl. frame/total).
⦿ 尺寸(大致):35,5 x 48,5 cm(可见艺术品尺寸),48,5 x 61,5 cm(含框/总尺寸)。
⦿ Condition: Exhibits an authentic patina of age (see pictures). Historical repaired tension cracks; retouches and varnish.
⦿ 状态:具有真实的年代锈痕/包浆(见图片)。历史性修补的应力裂缝;局部修整与清漆。
⦿ Estimated Period: late 16th century but perhaps older, based on estimated thickness of the panel and roughness of the vertical scrub planes on the back.
⦿ 估计时期:晚16世纪,但也可能更早,基于木板的厚度估计以及背面的竖向清理平面粗糙度。
⦿ Please note: Frame included gratis; not part of hammer price.
⦿ 请注意:框架免费;不属于成交价的一部分。
⦿ Shipping: Fast dispatch ✓ Tracked ✓ Insured ✓ Eco-friendly ✓
⦿ 运输:快速发货 ✓ 可追踪 ✓ 保险 ✓ 环保 ✓
– Dispatched from Germany, or local (free coffee:)) pick-up available. Please ensure your shipping details are complete and accurate to help avoid delays.
– 从德国发货,亦可在当地自提(免费咖啡:))可选。请确保您的运输信息完整准确,以帮助避免延误。
⦿ Colour disclaimer: Digital screens display colours differently; the item may appear slightly different in person.
⦿ 颜色免责声明:数字屏幕显示的颜色可能有所差异;实物颜色可能略有不同。
⦿ Please consider reusing or recycling the packaging. Thank you!
⦿ 请考虑重复使用或回收包装材料。谢谢!

