古羅馬 五枚法恩斯瓷瓜珠收藏品





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五件古羅馬彩繪法恩斯陶梅子珠,約公元1–2世紀,珠身有明顯竪向肋紋,藍綠色釉料殘留,直徑約15.7–20.7毫米,狀態良好可佩戴;於2025年在比利時古董市場取得。
賣家描述
注意:由于海关规定,我们只能在欧盟境内发货。请在竞标前确保您拥有有效的欧盟收货地址。
五枚古罗马法恩斯(法青陶)瓜形珠收藏。每颗珠子都装饰有凸出的竖向肋纹,形状略有差异,反映出各自的制造方式。
直径:范围约 ±20,7–15,7 毫米
品相:良好且稳固,可佩戴。表面留有原始蓝绿釉的痕迹,如今部分被土壤沉积、褪色和风化所遮掩。
-> Such beads were strung as elements of necklaces, bracelets and other personal ornaments.
证书真伪证明(PDF)如竞标成交价达到 €100 或以上,可应要求提供。
-> Melon-shaped faience beads are known from ancient Egypt from at least the New Kingdom, while related examples continued to be used across the Mediterranean and in later European cultures.
-> Faience was very popular and widely used in ancient Egypt. The earliest evidence of faience production was discovered in a 7500 year old workshop near the temple in Abydos. The production and style of faience changed through Egyptian history.
Different colourants were used for aesthetic and symbolic purposes, or to imitate the more expensive and rare semi-precious gemstones like turquoise, carnelian, lapis lazuli, garnets or obsidian.
As faience was more available than semi-precious gemstones it became a popular and widely used material for small objects like scarabs and other forms of amulets, beads, jewellery, small size statuettes, cosmetic vessels and ritual objects.
During the Roman era, the technique and its products spread throughout the wider Mediterranean world. This versatile material continued to be appreciated for its vivid colour, lustrous surface and resemblance to precious stone. Faience continued to be used for jewellery and personal ornaments, with blue-green ribbed ‘melon beads’ becoming a particularly recognisable Roman form.
賣家的故事
注意:由于海关规定,我们只能在欧盟境内发货。请在竞标前确保您拥有有效的欧盟收货地址。
五枚古罗马法恩斯(法青陶)瓜形珠收藏。每颗珠子都装饰有凸出的竖向肋纹,形状略有差异,反映出各自的制造方式。
直径:范围约 ±20,7–15,7 毫米
品相:良好且稳固,可佩戴。表面留有原始蓝绿釉的痕迹,如今部分被土壤沉积、褪色和风化所遮掩。
-> Such beads were strung as elements of necklaces, bracelets and other personal ornaments.
证书真伪证明(PDF)如竞标成交价达到 €100 或以上,可应要求提供。
-> Melon-shaped faience beads are known from ancient Egypt from at least the New Kingdom, while related examples continued to be used across the Mediterranean and in later European cultures.
-> Faience was very popular and widely used in ancient Egypt. The earliest evidence of faience production was discovered in a 7500 year old workshop near the temple in Abydos. The production and style of faience changed through Egyptian history.
Different colourants were used for aesthetic and symbolic purposes, or to imitate the more expensive and rare semi-precious gemstones like turquoise, carnelian, lapis lazuli, garnets or obsidian.
As faience was more available than semi-precious gemstones it became a popular and widely used material for small objects like scarabs and other forms of amulets, beads, jewellery, small size statuettes, cosmetic vessels and ritual objects.
During the Roman era, the technique and its products spread throughout the wider Mediterranean world. This versatile material continued to be appreciated for its vivid colour, lustrous surface and resemblance to precious stone. Faience continued to be used for jewellery and personal ornaments, with blue-green ribbed ‘melon beads’ becoming a particularly recognisable Roman form.

