印度 - 耆那教 黄铜，铜合金，可能富含锌。 献给马哈维拉（又名伏达曼那）的耆那教五圣地献祭坛，第24位Tirthankara - 13 cm
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印度 jaïn 室內祈福祭壇，Pāñcatīrthika 類型，供奉 Mahāvīra（Vardhamāna），紀年 Vikrama Saṃvat 1862（約公元1805–1806），黃色青銅鑄造，主像 Mahāvīra 正面坐禪，周圍有四位次要的 Tirthankaras 站立，尺寸 13 x 9 x 4.5 cm，重量 515 g，狀態極佳，來源 RM Lefevre 收藏，於2025年由收藏家遺孀處購入。
AI輔助摘要
賣家描述
Remarkable domestically votive Jain altar of the Pāñcatīrthika type, cast in yellow bronze, an alloy probably rich in zinc.
The central figure represents Mahāvīra, also named Vardhamāna, the twenty-fourth Tirthankara. He is depicted facing front, seated in meditation, legs crossed and hands joined in the dhyānamudrā on the lap.
Mahāvīra is surrounded by four secondary Tirthankaras standing in kāyotsarga, arranged symmetrically two by two. The presence of these five Jinas justifies the designation Pāñcatīrthika composition.
The main figure is set in a deep architectural niche, under a projecting canopy decorated with triangular pendants. The upper part presents a stylized royal umbrella, two elephants turned toward the central axis, and a crown ending in a conical pinnacle.
The whole is inscribed in a large, openwork torana-prabhāvalī, whose regular openings and different architectural registers suggest the façade of a miniature shrine. The socle includes a small central shrine housing a meditating figure, accompanied by several secondary figures in devotional postures.
Under the throne appear two rooks facing each other. These animals belong to the vocabulary of the sacred throne and also constitute the lāñchana, or traditional emblem, of Mahāvīra. A fortuitous oval mark visible at the center of the chest can be interpreted as a vernacular representation of the śrīvatsa, a traditional sign associated with Jinas.
The reverse bears a long dedicatory inscription cast in metal after the pouring, presumably at the time of the finishing and consecration of the altar. The reading retained identifies the name Vardhamāna and the date Vikrama Saṃvat 1862, corresponding to 1805-1806 CE, according to the month and local conversion system.
The work can be attributed to western India, probably Gujarat or Rajasthan, and belongs to the tradition of small domestic Jain shrines produced in the early 19th century.
Patina
The patina is one of the main attractions of this piece.
The surface shows an ancient, complex and stratified patina, combining olive, golden-brown and deep green hues with reddish and pinkish deposits preserved in the recesses. The exposed reliefs are smoother and brighter, while the protected areas retain oxidations and ancient deposits.
This surface is particularly unusual compared with patinas typically observed on small votive Jain altars of this category.
The piece has been preserved exactly in the state in which it was acquired. It has not been cleaned or polished by Mimosa SA.
Conservation status
Very good conservation status.
Intact piece, stable and complete, without restoration, welding, cracks or movable elements.
The gaps, contour irregularities and thickness variations are inherent to the casting and artisanal manufacture of the work. Deposits, oxidations and surface variations are compatible with its age and history of use.
Dimensions
Height: 13 cm
Width: 9 cm
Maximum thickness: 4.5 cm
Weight: 515 g
Provenance
RM Lefevre Collection, formed between 1979 and 2009.
Acquired directly from the collector’s widow by Mimosa SA in 2025.
Documentation
The work is accompanied by a certificate of authenticity and a complete illustrated study, prepared by Olivier Maréchal for Mimosa SA after direct physical examination of the piece and cross-checking with high-definition photographs, video, specialized documentation and museum comparisons.
A museum comparison particularly close in both dimensions and architectural and iconographic composition is kept at the University of New England Museum of Antiquities, under inventory number MA1997.21.1.
Shipping
The artwork will be carefully packed and shipped with tracking and insurance. When shipping, the buyer will receive a full dossier including the detailed real transport cost, tracking information, the certificate, associated documents and useful photographs.
In the interest of transparency, when the amount paid by the buyer for shipping is higher than the actual cost billed, the difference is automatically refunded as soon as the sale is cleared by Catawiki. This procedure has already been applied several times and represents a constant commitment of Mimosa SA to its buyers.
Link Video : https://www.dropbox.com/scl/fo/5nlz55m3zyqoz7tidb2g9/ABN6YDK1owxdyaA4xK1e_Sk?rlkey=jo5vk59bry9jg91p2sj7j0yqz&dl=0
賣家的故事
MIMOSA SA — 专长、研究与传承
二十六年多来，我一直从事专门经营亚洲古代艺术的艺术品商人职业。我的工作不仅是提供物品：还包括观察、理解、研究并在传递给新收藏家之前进行记录。
Mimosa SA 所呈现的每一件作品都经过深入评估。根据其性质，这项研究可涉及意像学、风格、比例、材质、制作技法、表面痕迹、包浆、保存状况、修复、来源以及相关的书目、博物馆或考古学对比资料。若有必要，也可进行额外的科学分析。
我们的方法建立在多年来直接与作品接触所积累的眼光经验之上，同时也建立在系统化、不断更新的研究之上。我们始终倾向于谨慎、连贯且有理据的归属，而非一时吸引人但缺乏充分依据的断言。
透明度是我们工作核心。磨损、缺失、事故、旧修、以及较新的干预都会尽可能准确地标示。当一个归属带有不确定性或仍处于工作假设阶段时，我们会清晰地以此表述。
自2016年起，我们在 Catawiki 上长期亮相，选择定期更新的作品，以结识对真实性、知识与完整文献资料感兴趣的国际收藏家。
每次购买都附有由我们专业责任认定的真实性证书。对最重要的作品，这一证书将以真正的研究档案形式出现，汇集我们在研究过程中所作的主要技术、风格、意象、历史与文献观察。
同样的要求也适用于运输。多年来，我们已发展出一套适用于古物、易损、重量大或形态复杂物品的包装方法。每件作品都被妥善保护、固定并根据其材质及特性进行适当包装。运输费用符合实际的保护、搬运、保险与安全运输的需要。运输从来不被视为商业利润来源。
通过 Mimosa SA 购买一件作品，即是得到一件经过筛选、研究、描述、记录并以同样的关注度准备好的物件，仿佛我们要为自家收藏购买一样。
由Google翻譯翻譯Remarkable domestically votive Jain altar of the Pāñcatīrthika type, cast in yellow bronze, an alloy probably rich in zinc.
The central figure represents Mahāvīra, also named Vardhamāna, the twenty-fourth Tirthankara. He is depicted facing front, seated in meditation, legs crossed and hands joined in the dhyānamudrā on the lap.
Mahāvīra is surrounded by four secondary Tirthankaras standing in kāyotsarga, arranged symmetrically two by two. The presence of these five Jinas justifies the designation Pāñcatīrthika composition.
The main figure is set in a deep architectural niche, under a projecting canopy decorated with triangular pendants. The upper part presents a stylized royal umbrella, two elephants turned toward the central axis, and a crown ending in a conical pinnacle.
The whole is inscribed in a large, openwork torana-prabhāvalī, whose regular openings and different architectural registers suggest the façade of a miniature shrine. The socle includes a small central shrine housing a meditating figure, accompanied by several secondary figures in devotional postures.
Under the throne appear two rooks facing each other. These animals belong to the vocabulary of the sacred throne and also constitute the lāñchana, or traditional emblem, of Mahāvīra. A fortuitous oval mark visible at the center of the chest can be interpreted as a vernacular representation of the śrīvatsa, a traditional sign associated with Jinas.
The reverse bears a long dedicatory inscription cast in metal after the pouring, presumably at the time of the finishing and consecration of the altar. The reading retained identifies the name Vardhamāna and the date Vikrama Saṃvat 1862, corresponding to 1805-1806 CE, according to the month and local conversion system.
The work can be attributed to western India, probably Gujarat or Rajasthan, and belongs to the tradition of small domestic Jain shrines produced in the early 19th century.
Patina
The patina is one of the main attractions of this piece.
The surface shows an ancient, complex and stratified patina, combining olive, golden-brown and deep green hues with reddish and pinkish deposits preserved in the recesses. The exposed reliefs are smoother and brighter, while the protected areas retain oxidations and ancient deposits.
This surface is particularly unusual compared with patinas typically observed on small votive Jain altars of this category.
The piece has been preserved exactly in the state in which it was acquired. It has not been cleaned or polished by Mimosa SA.
Conservation status
Very good conservation status.
Intact piece, stable and complete, without restoration, welding, cracks or movable elements.
The gaps, contour irregularities and thickness variations are inherent to the casting and artisanal manufacture of the work. Deposits, oxidations and surface variations are compatible with its age and history of use.
Dimensions
Height: 13 cm
Width: 9 cm
Maximum thickness: 4.5 cm
Weight: 515 g
Provenance
RM Lefevre Collection, formed between 1979 and 2009.
Acquired directly from the collector’s widow by Mimosa SA in 2025.
Documentation
The work is accompanied by a certificate of authenticity and a complete illustrated study, prepared by Olivier Maréchal for Mimosa SA after direct physical examination of the piece and cross-checking with high-definition photographs, video, specialized documentation and museum comparisons.
A museum comparison particularly close in both dimensions and architectural and iconographic composition is kept at the University of New England Museum of Antiquities, under inventory number MA1997.21.1.
Shipping
The artwork will be carefully packed and shipped with tracking and insurance. When shipping, the buyer will receive a full dossier including the detailed real transport cost, tracking information, the certificate, associated documents and useful photographs.
In the interest of transparency, when the amount paid by the buyer for shipping is higher than the actual cost billed, the difference is automatically refunded as soon as the sale is cleared by Catawiki. This procedure has already been applied several times and represents a constant commitment of Mimosa SA to its buyers.
Link Video : https://www.dropbox.com/scl/fo/5nlz55m3zyqoz7tidb2g9/ABN6YDK1owxdyaA4xK1e_Sk?rlkey=jo5vk59bry9jg91p2sj7j0yqz&dl=0
賣家的故事
MIMOSA SA — 专长、研究与传承
二十六年多来，我一直从事专门经营亚洲古代艺术的艺术品商人职业。我的工作不仅是提供物品：还包括观察、理解、研究并在传递给新收藏家之前进行记录。
Mimosa SA 所呈现的每一件作品都经过深入评估。根据其性质，这项研究可涉及意像学、风格、比例、材质、制作技法、表面痕迹、包浆、保存状况、修复、来源以及相关的书目、博物馆或考古学对比资料。若有必要，也可进行额外的科学分析。
我们的方法建立在多年来直接与作品接触所积累的眼光经验之上，同时也建立在系统化、不断更新的研究之上。我们始终倾向于谨慎、连贯且有理据的归属，而非一时吸引人但缺乏充分依据的断言。
透明度是我们工作核心。磨损、缺失、事故、旧修、以及较新的干预都会尽可能准确地标示。当一个归属带有不确定性或仍处于工作假设阶段时，我们会清晰地以此表述。
自2016年起，我们在 Catawiki 上长期亮相，选择定期更新的作品，以结识对真实性、知识与完整文献资料感兴趣的国际收藏家。
每次购买都附有由我们专业责任认定的真实性证书。对最重要的作品，这一证书将以真正的研究档案形式出现，汇集我们在研究过程中所作的主要技术、风格、意象、历史与文献观察。
同样的要求也适用于运输。多年来，我们已发展出一套适用于古物、易损、重量大或形态复杂物品的包装方法。每件作品都被妥善保护、固定并根据其材质及特性进行适当包装。运输费用符合实际的保护、搬运、保险与安全运输的需要。运输从来不被视为商业利润来源。
通过 Mimosa SA 购买一件作品，即是得到一件经过筛选、研究、描述、记录并以同样的关注度准备好的物件，仿佛我们要为自家收藏购买一样。
由Google翻譯翻譯詳細資料
文化
India - Jain
世紀/時間框架
Daté Vikrama Saṃvat 1862, soit 1805-1806
Name of object
Jain Pancha-Tirthika votive altar dedicated to Mahavira, also called Vardhamana, the 24th
獲得來源
私人收藏
獲得年份
2025
材質
Yellow bronze, a copper alloy probably rich in zinc.
獲得國家
比利時
狀態
非常好 +
前任擁有者獲得來源
畫廊/古董商
Height
13 cm
前任擁有者獲得年份
1979
Width
9 cm
前任擁有者獲得國家
比利時
Depth
4,5 cm
我保證此物品為合法取得，且本人有權出售。
是
真偽
原創/正版
免責聲明
Catawiki已告知賣家有關文件的要求，賣家須保證如下： - 物品為合法獲得； - 賣家有權出售和/或出口相關物品； - 賣家依據當地法規（如適用）提供必要的原產地資訊，並辦理所需文件和許可證/執照； - 若許可證/執照的取得發生任何延誤，賣家須通知買家。 參與競標即表示您知悉，根據您的居住國，可能需要進口文件，而取得許可證／執照可能導致您的物品延遲交付。
Catawiki已告知賣家有關文件的要求，賣家須保證如下： - 物品為合法獲得； - 賣家有權出售和/或出口相關物品； - 賣家依據當地法規（如適用）提供必要的原產地資訊，並辦理所需文件和許可證/執照； - 若許可證/執照的取得發生任何延誤，賣家須通知買家。 參與競標即表示您知悉，根據您的居住國，可能需要進口文件，而取得許可證／執照可能導致您的物品延遲交付。
