Felipe Abreu

日本攝影集拍賣

藤原敦跟随祖父的脚步走遍日本南部，受到名为 Nangokusho 的短歌诗集的引导。

在《Nangokusho》中，弥漫着一种孤独的抒情感，一种寻找失落根源的追问，敦的目光将诗句转化为视觉意象，他在追逐无形的、早已逝去的东西。

在空荡的街道、铁路和后院间缓慢漫游，Nangokusho 成为对日本南方土地的无声颂酒。


“照片说话了。关于摄影的评述中，我通常会先评论照片所来自的背景。
如果这些是绘画，过去也许能凭记忆或想象而呈现，但就这组作品而言，摄影只会捕捉到当前所存在的事物。
如今，鹿儿岛与美丽的冲绳，与敦祖父的艺术笔名 Tohmon 所看到的景象已经天壤之别，那里再也找不到当年的模样。
敦促原田敦（Fujiwara Atsushi）继续追寻那些已不再存在的风景。如果读者在这些照片中感受到某种空洞，那应被理解为战后日本的空洞。

摘自假野明（Akira Hasegawa）的后记。

SIGNED

Atsushi Fujiwara follows the steps of his grandfather through the south of Japan, guided by his book of Tanka poems called Nangokusho.

In “Nangokusho” there’s a lyrical feeling of loneliness, a quest for lost roots, Atsushi’s eye translates poetic verses in visual imagery, he hunts the invisible, the long gone.

A slow wandering through empty streets, railways and backyards, Nangokusho is a silent ode to the Southern lands of Japan.

 

“The photographs speak for themselves. In the critique of photography, I make it a general rule to comment on the background from which the photographs arose.

If these were paintings, the past might be portrays from memory or imagination, but as regard this collection, photography will capture only what is currently there.

Today, Kagoshima and beautiful Okinawa are dramatically different from how Tohmon (nd: art-name of Atsushi’s grandfather) saw them, and there is nothing remaining of that now.

Fujiwara Atsushi undertook to pursue sceneries that no longer exist. If the reader should sense a certain emptiness from these photographs, this must be understood to be the emptiness of post-war Japan.”

Extract from Akira Hasegawa’s afterword.

SIGNED 

Signed; Atsushi FUJIWARA - Nangokusho - 2013

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