中国 中式鼻烟盒,采用粉红色与白色多层玻璃(叠层玻璃工艺,“sandwiched glass”) - 7 cm





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清代原件玫瑰白色多層玻璃“sandwiched glass”鼻煙壺,劍形,尺寸7×5×2.2公分,重50.8克,配塞與吸匙,約1750–1820年,來源自紐約私人收藏並於2024年移入比利時私人收藏。
賣家描述
Elegant Chinese glass multi-layer pink and white spalted snuff bottle, Qing dynasty, circa 1750–1820.
This remarkable snuff bottle presents a flat classic form, often described as the “spade form,” with full rounded shoulders, a short cylindrical neck with a wide opening, and a neatly polished small straight base.
The piece’s main interest lies in its multi-layer pink and white glass, known in specialized literature by the English term sandwiched glass. The body is composed of an opaque-to-translucent milky white glass in which delicate pink concentrations appear, ranging from pale pink to deeper tones close to raspberry. These clouds and marbling are not painted decoration: they are integrated into the thickness of the glass itself, producing depth and diffusion effects that are particularly seductive when the bottle is viewed from different angles or in light.
This process belongs to a refined tradition of Qing dynasty Chinese glassmaking. Chinese workshops then mastered fusing glasses of different colors as well as introducing veins, spots and colored layers intended notably to evoke nuances of natural stones. Comparable processes are documented in several major museum collections devoted to Chinese snuff bottles.
The bottle’s sober form leaves full space for the play of the material. From one side to the other, the distribution of pink varies considerably: some areas remain almost white and opalescent, while others show broader bands and colored trails around the shoulders and sides. Each view thus offers a slightly different look.
The flacon retains its domed cap in red-orange jasper, animated by natural dark veins and separated from the neck by a black ring. The priser spoon is also preserved, an important detail for the object’s functional integrity.
This type of glass is closely linked to the great productions of Chinese glassmaking of the Qing era and finds parallels in the Beijing and northern Chinese tradition. In the absence of a reign mark or provenance from court documented, no formal imperial attribution is proposed here.
The piece comes from the collection of an important collector of Chinese snuff bottles in New York, United States. An old collection label is still present beneath the base, providing an interesting element of its history. It was later sold at public auction in 2024 and currently belongs to a private Belgian collection.
Condition: very good overall. Slight signs of use and minor irregularities related to glass manufacture. A tiny ancient nick is visible at the foot. No glueing or major structural restoration is visible. The cap and its spoon are preserved.
Dimensions:
Height: 7 cm
Width: 5 cm
Depth: 2.2 cm
Weight: 50.8 g
The bottle is accompanied by a certificate of authenticity and a Mimosa detailed study, including material and technique analysis, stylistic and chronological study, provenance and institutional comparisons.
It is a very beautiful Qing snuff bottle, appreciated both for the purity of its form, the subtlety of its pink and white glass, and the complete presence of its cap and spoon.
video link: https://www.dropbox.com/scl/fo/0na5s30sx38ehhc3qm5pj/AGqaiJGxPnej05eOcoQhvqw?rlkey=0w3h6zcnusrjqafvc3peswfxt&dl=0
賣家的故事
Elegant Chinese glass multi-layer pink and white spalted snuff bottle, Qing dynasty, circa 1750–1820.
This remarkable snuff bottle presents a flat classic form, often described as the “spade form,” with full rounded shoulders, a short cylindrical neck with a wide opening, and a neatly polished small straight base.
The piece’s main interest lies in its multi-layer pink and white glass, known in specialized literature by the English term sandwiched glass. The body is composed of an opaque-to-translucent milky white glass in which delicate pink concentrations appear, ranging from pale pink to deeper tones close to raspberry. These clouds and marbling are not painted decoration: they are integrated into the thickness of the glass itself, producing depth and diffusion effects that are particularly seductive when the bottle is viewed from different angles or in light.
This process belongs to a refined tradition of Qing dynasty Chinese glassmaking. Chinese workshops then mastered fusing glasses of different colors as well as introducing veins, spots and colored layers intended notably to evoke nuances of natural stones. Comparable processes are documented in several major museum collections devoted to Chinese snuff bottles.
The bottle’s sober form leaves full space for the play of the material. From one side to the other, the distribution of pink varies considerably: some areas remain almost white and opalescent, while others show broader bands and colored trails around the shoulders and sides. Each view thus offers a slightly different look.
The flacon retains its domed cap in red-orange jasper, animated by natural dark veins and separated from the neck by a black ring. The priser spoon is also preserved, an important detail for the object’s functional integrity.
This type of glass is closely linked to the great productions of Chinese glassmaking of the Qing era and finds parallels in the Beijing and northern Chinese tradition. In the absence of a reign mark or provenance from court documented, no formal imperial attribution is proposed here.
The piece comes from the collection of an important collector of Chinese snuff bottles in New York, United States. An old collection label is still present beneath the base, providing an interesting element of its history. It was later sold at public auction in 2024 and currently belongs to a private Belgian collection.
Condition: very good overall. Slight signs of use and minor irregularities related to glass manufacture. A tiny ancient nick is visible at the foot. No glueing or major structural restoration is visible. The cap and its spoon are preserved.
Dimensions:
Height: 7 cm
Width: 5 cm
Depth: 2.2 cm
Weight: 50.8 g
The bottle is accompanied by a certificate of authenticity and a Mimosa detailed study, including material and technique analysis, stylistic and chronological study, provenance and institutional comparisons.
It is a very beautiful Qing snuff bottle, appreciated both for the purity of its form, the subtlety of its pink and white glass, and the complete presence of its cap and spoon.
video link: https://www.dropbox.com/scl/fo/0na5s30sx38ehhc3qm5pj/AGqaiJGxPnej05eOcoQhvqw?rlkey=0w3h6zcnusrjqafvc3peswfxt&dl=0
賣家的故事
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Catawiki已告知賣家有關文件的要求,賣家須保證如下: - 物品為合法獲得; - 賣家有權出售和/或出口相關物品; - 賣家依據當地法規(如適用)提供必要的原產地資訊,並辦理所需文件和許可證/執照; - 若許可證/執照的取得發生任何延誤,賣家須通知買家。 參與競標即表示您知悉,根據您的居住國,可能需要進口文件,而取得許可證/執照可能導致您的物品延遲交付。

