Val Saint Lambert - 花瓶 - 水晶 - 花瓶 VSL

这件战后时期的花瓶是一件以手吹无色透明水晶自由成形的卓越艺术创作，完美地继承了比利时著名水晶厂Val Saint Lambert的现代主义传统。这件作品以极具表现力的有机雕塑形态为特征，主体为坚实的卵圆形躯干，质地厚重，侧面辅以拉伸的浮雕，形成完整的把手，流畅地融入主体结构中。颈部以惊人方式向外张开，形成保护性的新月形花冠或直口漏斗，边缘抛光平整。对晶体的密度与纯净度的非凡工艺，产生了引人注目的光学折射效果，材料内部的起伏与纹槽美妙地捕捉每一束光线的变化，呈现出引人入胜的三维感。

该物件整体高19厘米，颈部直径为105毫米（等同于10.5厘米），重量尤为沉重，单件净重约1900克。透明底座的平滑抛光面刻有水晶厂Val Saint Lambert的手写签名，采用金刚石笔刻字，确保此件收藏品的真实性无可置疑。该水晶的保存状况良好，保持着清澈透亮和原有的光辉，没有内部混浊或结构性浑浊的问题。仅在底座底部下方可见少量岁月痕迹的轻微磨损，以及与时间相关的极微小表面划痕，这在这类时期的装饰物件中属于完全正常且可预期的现象。

This post-war period vase is a superb artistic creation made of hand-blown solid crystal shaped freely, falling perfectly in line with the modernist productions from the prestigious Belgian crystal works Val Saint Lambert. The piece takes on a highly expressive sculptural organic form, characterized by a robust ovoid body thickened in the mass and flanked on its sides by pulled reliefs forming solid handles fluidly integrated into the main structure. The neck develops dramatically by flaring out widely to form a protective corolla or funnel opening with a polished straight rim. The exceptional craftsmanship focusing on the density and purity of the clear crystal yields striking optical refraction effects, as the undulating movements and grooves inserted into the heart of the material beautifully catch every light shift to reveal a fascinating three-dimensional quality.

The item measures a total height of 19 cm with a generous top rim diameter of 105 mm (equivalent to 10.5 cm), boasting a particularly heavy and dense individual weight of 1900 g. The smoothed and polished underside of the clear base features the authentic hand-written Val Saint Lambert manufactory signature engraved with a diamond point, guaranteeing the perfect authenticity of this collectible piece. The general condition of preservation of this crystal is good, as the piece retains perfect clarity and a remarkable original brilliance without any internal clouding or structural scaling. One simply notes some light age-related wear underneath the foot base as well as minor superficial friction hairline scratches consistent with time, which is completely normal and expected for a decorative object of this period.