Antoine Mangeot

硬幣拍賣（歐元）

拜占庭地区比西方更早进入文艺复兴，主要中心为君士坦丁堡和米斯特拉斯，但在1453年拜占庭政权被奥斯曼帝国征服后被迫中止。因此，希腊世界与欧洲文艺复兴文化逐渐分离，唯有仍处于奥斯曼统治之外的希腊地区（如威尼斯控制的爱奥尼亚群岛与克里特）例外。尤其在克里特，拜占庭与西方文化的交流在诗歌、戏剧、建筑和绘画领域蓬勃发展。克里特文艺复兴文化最杰出的代表是画家多米尼科斯·西奥托科波洛斯（“埃尔·格列柯”，1541–1614）。在他的出生地伊拉克利翁既掌握了拜占庭与西方艺术风格，随后在威尼斯和罗马完善技法，并与米开朗基罗、拉斐尔和提香的杰作相接触。最终他定居托莱多，创作出成熟时期的作品——这些作品因深邃的精神性、形而上学的深度和表现主义的特征而持续打动人心、给予启发。

The Renaissance began earlier in Byzantium than in the West, with Constantinople and Mystras as its main centers, but it was halted by the fall of the Byzantine state to the Ottomans in 1453. As a result, the Greek world found itself cut off from the European Renaissance culture, with the exception of certain Greek regions that remained outside Ottoman rule (such as the Venetian-held Ionian Islands and Crete). In Crete in particular, the encounter between Byzantine and Western culture flourished in the fields of poetry, theatre, architecture, and painting. The most eminent representative of Cretan Renaissance culture would be the painter Dominikos Theotokopoulos (“El Greco”, 1541–1614). After mastering both the Byzantine and Western artistic styles in his birthplace, Heraklion, he perfected his technique in Venice and Rome, where he came into contact with the masterpieces of Michelangelo, Raphael, and Titian. He eventually settled in Toledo, where he created the works of his maturity—works that continue to move and inspire thanks to their profound spirituality, metaphysical depth, and expressionistic character.

希臘. 10 Euro 2019 "Renaissance" Proof (沒有保留價)

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