– Associated with Uetake Satoshi (born 1956), an established Japanese ceramic artist and full member of the Japan Kōgei Association. – Flowing red concentric spirals across a dark, bronze-toned surface, inspired by the ancient Jōmon tradition. – Compact sculptural form, approximately W 12 × H 10 × D 5 cm, beautiful with a single flower or displayed alone. Summary: A distinctive Kasama ware flower vase associated with Uetake Satoshi's Kousai Jōmon (紅彩条文) series. Its flattened, pebble-like form carries continuous red spirals across a deep brown-black surface, suggesting movement and natural energy. Inspired by prehistoric Jōmon pottery, the design combines ancient Japanese aesthetics with contemporary ceramic expression. Its modest scale and striking silhouette make it particularly appealing for refined Japanese or European interiors. The maker's identity is based on the previous owner's identification; no signature has been photographed or independently verified. Some pottery seems to capture movement within its clay. This small vase has that intriguing quality. Its red lines curl and expand across the rounded surface like ripples spreading through water. Where does the spiral begin, and where does it end? Its story leads to Kasama, a historic pottery town in Ibaraki Prefecture, approximately 100 kilometres north-east of Tokyo. Ceramic production here began in the eighteenth century, supported by the region's iron-rich, granite-derived clay. Today, Kasama ware is admired for its creative freedom. Rather than following one fixed style, its potters explore individual approaches to form, colour and decoration. Uetake Satoshi was born in Tsuchiura, Ibaraki, in 1956. He studied under Nakano Kōji from 1978 and established his own kiln in Tsukuba in 1984. His achievements include repeated selections for the Japan Traditional Kōgei Exhibition, the Itaya Hazan Prize in 2015, and an acquisition by the New Orleans Museum of Art in 2004. His 2020 exhibition, Wind from the Jōmon, reflected his enduring fascination with Japan's prehistoric ceramic culture. Jōmon pottery is renowned for its expressive decoration, particularly the dramatic flame-like forms of certain ancient vessels. Uetake reinterprets that energy through flowing spiral patterns, using techniques such as sgraffito and inlay. His work explores the circulation of life and the invisible forces of nature. In this Kousai Jōmon design, warm reddish spirals move across a dark, subtly metallic-looking body. The narrow oval mouth and gently flattened silhouette create an almost organic form. Perhaps it evokes a seed about to awaken, or wind travelling through an ancient forest. Such interpretations are left to the imagination, adding another layer of fascination. In a Japanese tokonoma alcove, a single seasonal flower could emphasise its graceful curves. In a European home, its sculptural presence would complement natural wood, stone and understated contemporary furnishings. Small enough for a mantelpiece or bookshelf, it invites closer appreciation of its intricate decoration. The vase has reportedly been kept without flowers and remains in near-unused condition, with no obvious dirt or scratches. Subtle surface variations contribute to its individual character. Its identification with Uetake has not been independently authenticated. Beyond its decorative appeal lies a compelling connection between prehistoric imagination and modern Japanese craftsmanship. A modest object, yet one that seems to carry a much longer story within its spirals. A little more of this vase's story awaits its new owner. This listing contains AI Visualisations. Please refer to the original photographs for the actual object condition. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping available for multiple wins. Local customs duties are the buyer’s responsibility. Seller Guarantee We specialise in authentic Japanese ceramics and guarantee this piece’s authenticity. Questions welcome – we reply within 24 hours.