恋人信使的悲剧（珍稀版画） · 亀屋忠兵衛与丹波屋鬼蔵 · 歌川国貞，嘉永年间 - 日本 - 江戶時代（1600-1868）
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這幅日本原版錦繪木版畫由歌川國貞創作，署名豐國畫，描繪丹波屋鬼藏與龜屋忠兵衛，約作於1851年江戶時代，品相普通且邊緣有修補。
AI輔助摘要
賣家描述
Artist: Utagawa Kunisada (歌川国貞, 1786–1865), signing as Toyokuni III
Title: Tanbaya Onizō and Kameya Chūbei, from the Umegawa–Chūbei story
Subject: Two roles from the kabuki story of the courier Chūbei and the courtesan Umegawa. Role names in the cartouches:
Upper right: Tanbaya Onizō (丹波屋鬼蔵)
Centre left: Kameya Chūbei (亀屋忠兵衛)
Signature: Toyokuni ga (豊国画), in a toshidama cartouche
Publisher: Tsujiokaya Bunsuke (辻岡屋文助, Kinshōdō)
Censor seals: Two round nanushi seals, Kaei era (ca. 1847–1852)
Format: Ōban tate-e, single sheet, ca. [24 × 36 cm]
Technique: Nishiki-e (full-colour woodblock print)
Date: ca. 1851
__________________________________________________________
CONDITION
Fair condition, sold as antique. Please check the images carefully before you bid! The print have repairs across the margins. The composition and colors are well preserved. A nice add to any collection!
__________________________________________________________
About the print
The story of Kameya Chūbei and Umegawa goes back to Chikamatsu Monzaemon’s puppet play Meido no Hikyaku (The Courier for Hell), first staged in 1711. Chūbei is the adopted heir of an Osaka courier house and is in love with Umegawa, a courtesan of the Tsuchiya. Goaded by a rival, he breaks the seals on a packet of gold he has been entrusted to deliver and uses it to buy her freedom. This was a capital crime, and the lovers flee together to Chūbei’s home village of Ninokuchi.
In the standard version the rival is called Tanba-ya Hachiemon. The name Tanbaya Onizō belongs to a later reworking. A Kunisada triptych from the same publisher, staged as Koi no Tayori Sato no Kanabumi at the Kawarazaki-za in the 3rd month of 1851, uses the same role names. In that production Ichikawa Ebizō V played Tanbaya Onizō and Sawamura Chōjūrō V played Kameya Chūbei. Ebizō had only returned to Edo in the 2nd month of 1850 after eight years of banishment, and the role was one of his first new parts back on the Edo stage
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯Artist: Utagawa Kunisada (歌川国貞, 1786–1865), signing as Toyokuni III
Title: Tanbaya Onizō and Kameya Chūbei, from the Umegawa–Chūbei story
Subject: Two roles from the kabuki story of the courier Chūbei and the courtesan Umegawa. Role names in the cartouches:
Upper right: Tanbaya Onizō (丹波屋鬼蔵)
Centre left: Kameya Chūbei (亀屋忠兵衛)
Signature: Toyokuni ga (豊国画), in a toshidama cartouche
Publisher: Tsujiokaya Bunsuke (辻岡屋文助, Kinshōdō)
Censor seals: Two round nanushi seals, Kaei era (ca. 1847–1852)
Format: Ōban tate-e, single sheet, ca. [24 × 36 cm]
Technique: Nishiki-e (full-colour woodblock print)
Date: ca. 1851
__________________________________________________________
CONDITION
Fair condition, sold as antique. Please check the images carefully before you bid! The print have repairs across the margins. The composition and colors are well preserved. A nice add to any collection!
__________________________________________________________
About the print
The story of Kameya Chūbei and Umegawa goes back to Chikamatsu Monzaemon’s puppet play Meido no Hikyaku (The Courier for Hell), first staged in 1711. Chūbei is the adopted heir of an Osaka courier house and is in love with Umegawa, a courtesan of the Tsuchiya. Goaded by a rival, he breaks the seals on a packet of gold he has been entrusted to deliver and uses it to buy her freedom. This was a capital crime, and the lovers flee together to Chūbei’s home village of Ninokuchi.
In the standard version the rival is called Tanba-ya Hachiemon. The name Tanbaya Onizō belongs to a later reworking. A Kunisada triptych from the same publisher, staged as Koi no Tayori Sato no Kanabumi at the Kawarazaki-za in the 3rd month of 1851, uses the same role names. In that production Ichikawa Ebizō V played Tanbaya Onizō and Sawamura Chōjūrō V played Kameya Chūbei. Ebizō had only returned to Edo in the 2nd month of 1850 after eight years of banishment, and the role was one of his first new parts back on the Edo stage
賣家的故事
我已经收集日本木版画有相当长的时间了——从经典的浮世绘到新派日本版画（shin-hanga）和创作派木版画（sōsaku-hanga）应有尽有。最初只是个人的爱好，后来逐渐发展成更深的事业，如今我从日本和欧洲的拍卖、画廊以及私人收藏中采购版画。
随着全球对日本木版画的兴趣日益增长，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对出售的作品要求非常严格——我寻找那些保存得当、保持平整、没有严重的黄变、污渍或损坏的作品。
我常驻德国，这意味着欧盟买家无需承担进口关税或税费。对美国买家，海关编码9702下的原创艺术品也享受免关税。无论你身在何处，我都会采用多层保护的包装，认真打包，确保你的版画安全送达。
如果你对某件作品有疑问，欢迎随时联系我。一旦你在我的拍品中中标，就可以获得与我联系的权限。
由Google翻譯翻譯詳細資料
朝代風格／時期
江戶時代（1600-1868）
原產國
日本
Attribution
原版
藝術品標題
Lovers’ courier tragedy (Rare print) · Kameya Chūbei and Tanbaya Onizō · Kunisada, Kaei era
Condition
狀況一般
種源
私人收藏
真偽
原創/正版
