About the Works Artist: Shokoku Kano 叶松谷 (1927—1998) Title of work: Kyo ware Guinomi — A toast to eternity in crimson and gold This is a finely crafted guinomi (sake cup) by renowned Kyoto ware ceramic artist Shokoku Kano (叶松谷). The cup features a striking red lacquer-style glaze adorned with hand-applied gold leaf, showcasing traditional Japanese aesthetics with a modern flair. Inside the cup, the character "寿" (kotobuki), meaning "longevity" or "congratulations," is elegantly inscribed in blue underglaze on white porcelain. The base bears the artist’s impressed seal. It comes with its original signed wooden tomobako box and a protective cloth stamped with the artist’s seal, both indicating its authenticity.Additionally, a leaflet containing the author's biography is included. This guinomi is not only a beautiful piece for use but also an exquisite collectible representing the refined elegance of contemporary Kyo-yaki. About Kyo ware (京焼) It is a traditional craft recognized by Japan’s Ministry of Economy, Trade, and Industry, meaning it is produced with historical techniques reflecting the culture and lifestyle of Japan. Kyoyaki is not defined by a single style or method; rather, it encompasses diverse techniques, textures, and designs that vary from kiln to kiln within the Kyoto area. Historically, Kyoyaki ceramics trace back to at least the early 1600s. This pottery tradition flourished particularly during the Edo period around Higashiyama and the Kiyomizu Temple area, where skilled artisans produced works catering to the tea ceremony and aristocratic patrons. The craft blends influences brought by potters from other regions of Japan and abroad, creating a rich variety of forms and artistic expressions. Kyoyaki's hallmark is its delicate craftsmanship and elegant decoration. It often includes hand-painted floral, geometric, or nature-inspired motifs in vibrant colors such as red, green, and gold enamel over soft cream or white glazes. Kyoyaki pottery includes tea wares, sake vessels, everyday utensils, and decorative pieces, all reflecting Kyoto’s refined aesthetics and cultural heritage. About Guinomi (ぐい呑み) A "guinomi" is a traditional Japanese sake cup, slightly larger than an ochoko and designed for relaxed, personal enjoyment of sake. The term "guinomi" comes from the Japanese onomatopoeia "gui-gui," suggesting smooth, satisfying sips. Unlike small ochoko cups, guinomi typically hold more liquid, allowing you to savor both the aroma and flavor of sake over several mouthfuls rather than a quick gulp.​ Guinomi are often crafted from materials such as ceramic, porcelain, glass, or occasionally metal. Their shapes, sizes, and textures vary widely, and many collectors and enthusiasts choose guinomi made by noted artisans for their unique forms and aesthetic appeal. The shape and material of a guinomi also subtly influence the taste and aroma of sake. For example, cups with a wide, outward-flaring rim bring out the aroma and create a rounder flavor, while those with a narrower mouth emphasize a crisp finish.​ Traditionally, guinomi developed from vessels used for serving delicacies in tea ceremonies, but over time they became beloved as sake cups, appreciated for their versatility and the casual, personal way they encourage enjoying Japan's national drink.​ Size Width: 6.3 cm Height: 4 cm Weight: 37 g About the Artist Shokoku Kano (叶松谷) was a respected Kyoto-based ceramic artist known for blending tradition and innovation in Japanese porcelain. Born in 1927 as the second son of the Kano family, he inherited his father's studio after 1965 and became a leading figure in the modern Kyo ware (京焼) and Kiyomizu ware (清水焼) styles. Shokoku’s works are celebrated for their refined designs in blue-and-white porcelain (染付), vibrant red enamel painting (赤絵), and lavish gold-decorated ware (金襴手), all rooted in Kyoto’s rich aesthetic heritage.​ Career and Contributions ・Shokoku Kano trained under both his father and uncle, and briefly served in the military before returning to help shape his family kiln.​ ・He was involved in forming Sodeisha, a pioneering postwar group, before focusing on studio work in Kyoto.​ ・In 1960, he co-founded a design study group to revitalize Kyoto ceramics with contemporary ideas.​ ・His work balances classical patterns with innovative forms, making him a favorite among collectors.​ Awards and Recognition ・Designated as a Traditional Craftsman in 1981.​ ・Recipient of the Kyoto City Mayor’s Prize and NHK Prize at prestigious Kyoto ceramics exhibitions in the 1980s.​ ・Honored by Kyoto Prefecture for excellence in traditional industries in 1987.​ Artistic Style and Signature ・Shokoku’s pieces are admired for their elegance and bold use of color, merging family tradition with a modern sensibility.​ ・Typical potter’s marks include Matsutani and Goryo Daiho Go Shonzui Zo for blue-and-white works.​ Shokoku Kano’s ceramics remain highly sought-after for their beauty, craftsmanship, and representation of Kyoto’s artistic traditions.​ Appearance Please see photos for details. 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