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Juan Antonio Rodríguez

Art print of Lobster Telephone, 1938. Salvador Dalí

Lobster Telephone is an unexpected combination of things, making it a classic example of a surrealist object. The surrealists promoted the idea that art could reflect the mysteries of the unconscious mind. As both lobsters and telephones were connected with sex in his mind, Dalí believed that bringing them together would reveal secret desires.

The art print measures 40 x 30 cm, and is printed on responsibly sourced, FSC certified paper by our Sussex-based printmakers. It includes a white border and a credit line printed underneath the artwork image.

About Salvador Dalí:

‘Surrealism is me...’ And the surrealist thing is that this statement is probably true. Salvador Dalí was perhaps the most popular surrealist and one of the world's leading exponents of contemporary art. Whether he was a genius or a quirky artist, his legacy does not go unnoticed even today and we can only marvel at the technical perfection and imaginative content of his art.

Born in Figueres (a town that would mark his entire output) Dalí was never a normal child. He had a brother who died before him and his parents gave him the same name, Salvador, indulging his every whim. From an early age he already showed signs of genius: he left his excrement everywhere, as a form of art.

As a teenager he travelled to Madrid, where he experimented with cubism and Dadaism and became friends with people like Lorca and Buñuel (with whom he co-directed Un chien andalou and L'Age d'or). Dalí did not only devote himself to painting. His creativity encompassed film, sculpture, design (the lollipop logo) and writing... There was much speculation about his sexuality, but everything indicates that Salvador was impotent (hence the flaccid forms of many of his works) and rather asexual. He himself said that he only reached orgasm a couple of times, and only by masturbation. His long hair, sideburns and moustache did not go unnoticed in the Madrid of the belle epoque. His life and his work became one and the same thing and he ended up being a showman obsessed with promoting himself.

In Paris, Dalí was already quite a personality, although he could not get along like a normal person. He could not even cross the street alone. But there he met Gala, who became his wife, muse and carer.
In 1934 he was expelled from the surrealists and did not spare Breton any insults (‘The difference between me and the surrealists is that I am a surrealist’) In 1940 he moved to the United States, where he fitted in perfectly with surrealist capitalism. In Hollywood he was welcomed with open arms and collaborated with Disney, Hitchcock, the Marx Brothers... and was invited to all the parties where he delighted people with his outrageous performances.

Eight years later he returned to Spain, which was under Franco's dictatorship, and embraced his regime without scruples. Dalí considered himself a radical anti-communist, but all the indications are that he was an opportunist who managed to get the dictator to let him work in peace. The truth is that there is nothing more surreal than the relationship between these two guys.

Another thing his detractors blame him for is his inordinate love of money, which he amassed in abundance. Any Dalinian object became a lucrative business.
In his later years he even signed blank sheets of paper to encourage forgeries. For him, the imitation of his work was proof of his greatness.

His life aside, Salvador Dalí was an undisputed artist. His meticulous detail, while showing an unconscious world, made him the greatest painter of dreams. His naturalism, borrowed from his idols Raphael and Velazquez, an enormous passion for science and delirious associations whose ambiguity provokes diverse interpretations are only three features of his art.

He invented, among other things, the paranoid critical method, with its double images, and painted more than 1500 works of art, not counting sets, photographs, collaborations and his little numbers, which today can only be considered as Art.

All posters are original and have been selected by art lovers for art lovers.

Collector's item.

This item is shipped certified with a tracking number and carefully protected.



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Salvador Dali - Lobster Telephone,  / 1938- Reprint Fundacion Dali 2020s

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