Young Woman in a Blue Hat Oil on board, circa 1900–1910 This striking female portrait dates from the first decade of the 20th century, a period marked by the transition from late Impressionism toward more decorative and psychologically focused modes of representation. The sitter is shown in profile, her introspective expression and softly turned head conveying a quiet, inward mood characteristic of turn-of-the-century portraiture. The surface is executed with a finely articulated pointillé brushwork, in which small, rhythmic touches of paint build form and atmosphere. Unlike the strictly optical methods of late 19th-century Neo-Impressionism, the technique here is employed in a freer, more expressive manner, allowing the artist to retain traditional modeling while enriching the surface with vibration and depth. The restrained palette of blues, warm ochres, and muted reds creates a harmonious balance between cool background tones and the warmth of the flesh. The decorative hat, accented with a bold ribbon, anchors the composition and reflects contemporary fashion of the period, while the flattened background emphasizes the sitter’s profile and enhances the portrait’s timeless quality. The artist demonstrates confident control of color relationships and texture, achieving both solidity and delicacy within a compact format. The painting exhibits natural age-related craquelure consistent with early 20th-century oil technique on board, contributing to its authenticity and historical presence. Overall, this work stands as a refined example of early modern figurative painting, bridging late Impressionist sensibility with the emerging decorative modernism of the years around 1900.