Susan Meiselas - Nicaragua (FIRST PRINTING, VERY FRESH CONDITION) - 1981

VERY IMPORTANT PHOTOBOOK by famous Magnum photographer Susan Meiselas:
Martin Parr, The Photobook, vol 2, page 252

The work documents the Nicaraguan Revolution between June 1978 and July 1979.

FIRST PRINTING from 1981 (not one of the several later reprints).

VERY FRESH, BETTER THAN USUAL CONDITION - COLLECTOR'S COPY.

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'The camera is an excuse to be someplace you otherwise don't belong. It gives me both a point of connection and a point of separation.'
- Susan Meiselas -

Susan Meiselas ('Carnival Strippers'), born 1948, joined Magnum Agency in 1976 and has worked as a freelance photographer since then.

Susan Meiselas is famous for many great photobooks like "Carnival Strippers" (802 photo books from the M.+M. Auer collection, page 626. Andrew Roth, The Book of 101 Books, page 238/239. The Open Book, Hasselblad Center, page 312/313. 802 photo books from the M.+M. Auer collection, page 599).

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Van Gennep, Amsterdam; Gary Schwartz, Maarssen. 1981. First Dutch edition, first printing.

Paperback. 215 x 275 mm. 120 pages. 71 colour photographs and 1 map. Photos: Susan Meiselas. Various authors. Edited by Susan Meiselas and Claire Rosenberg. Text in English.

Condition:
Inside excellent, very fresh and flawless; clean with no marks and with no foxing. Outside very fresh and much better than usual with little trace of use only; well-preserved front and spine, little crease at the bottom left corner of the rear side (with no consequence for inside), no other remarkable flaws or defects. Overall the sensitive title in very fine, better than usual condition.

One of the classics in the history of the photobook in the true first Dutch printing - in great condition.

'Susan Meiselas was born in Baltimore, Maryland, in 1948. Her first major photographic essay focused on the lives of women doing striptease at New England country fairs. She photographed the carnivals during three consecutive summers while teaching photography in the New York public schools. Carnival Strippers was published in 1976, and a selection of the images was installed at the Whitney Museum of Art in June 2000.
Meiselas received her BA from Sarah Lawrence College, New York, and her MA in visual education from Harvard University. She joined Magnum Photos in 1976, and became a full member four years later. Best known for her coverage of the insurrection in Nicaragua and for her documentation of human rights issues in Latin America, her second monograph, Nicaragua, June 1978–July 1979, appeared in 1981.
Meiselas edited and contributed to El Salvador: Work of Thirty Photographers (1983) and edited Chile from Within (1991), which features work by photographers living under the Pinochet regime. She has co-directed three films: Living at Risk: The Story of a Nicaraguan Family (1986), Pictures from a Revolution (1991) with Richard P. Rogers and Alfred Guzzetti, and Re-framing History (2004) where she returns to Nicaragua again, on the 25th anniversary of the Revolution.
In 1997, she completed a six-year project curating a 100-year visual history of Kurdistan, integrating her own work into the book Kurdistan: In the Shadow of History (1997) along with the pioneering website akaKURDISTAN (1998), an online archive of collective memory and cultural exchange.
Her 2001 monograph, Pandora’s Box, which explores a New York S&M club, has been exhibited both at home and abroad. Her 2003 book and exhibition, Encounters with the Dani, documents a 60-year history of outsiders interacting with the indigenous people living in Indonesia’s Papua highlands. Her first retrospective exhibition and book In History (2008) was produced with the International Center for Photography and published by Steidl. A further survey of Meiselas’s five decades of work, Mediations, launched in 2017 and has traveled to the Fundacion Tapies in Barcelona, the Jeu de Paume in Paris, the San Francisco Museum of Modern Art, the Instituto Moreira Salles in São Paulo, Kunst Haus Wien, C/O Berlin, FOMU in Antwerp, along with other European venues.
Published in 2017, A Room of Their Own (2015-2016) was commissioned by Multistory, a UK regional arts organization. Meiselas led a series of workshops with women in refuge in the Black Country to create a visual narrative combining photographs, first hand testimonies and original artwork.
Her book Tar Beach (2020), gathers family photographs and memories from Little Italy, New York. Launched with two of her neighbors, the project focuses on images from their rooftops, celebrating everyday lives from the 1930s through the 1970s. Meiselas participates in Collaboration: A Potential History of Photography (2024) a groundbreaking publication, collaborating as one of five authors, along with hundreds of photographers, writers, critics, artists, and academics.
Meiselas has had one-woman exhibitions in Paris, Madrid, Amsterdam, London, Los Angeles, Chicago, and New York, and her work is included in international collections. She has received the Robert Capa Gold Medal for her work in Nicaragua (1979); the Leica Award for Excellence (1982); the Engelhard Award from the Institute of Contemporary Art (1985); the Hasselblad Foundation Photography prize (1994); the Cornell Capa Infinity Award (2005); the Harvard Arts Medal (2011), Guggenheim Fellowship (2015), and most recently the Deutsche Börse Photography Foundation Prize (2019). In 1992, she was named a MacArthur Fellow.
Meiselas has been the President of the Magnum Foundation since its founding in 2007, with a mission to expand diversity and creativity in documentary photography.'
(Magnum's website)