Αρ. 99564195

Flattened Jar (Henko) — Αιώνια ηρεμία σε έξι πλευρές - Κεραμικό - Sōji Suzuki 鈴木爽司 (b.1939) - Ιαπωνία - Heisei period (1989-present)
Αρ. 99564195

Flattened Jar (Henko) — Αιώνια ηρεμία σε έξι πλευρές - Κεραμικό - Sōji Suzuki 鈴木爽司 (b.1939) - Ιαπωνία - Heisei period (1989-present)
This elegant hexagonal porcelain vase (henko, 扁壺) is an original work by Japanese ceramic artist Sōji Suzuki (鈴木爽司). The piece stands out with its harmonious blend of traditional Japanese aesthetics and refined craftsmanship. Each of the six facets of the body alternates between two decorative styles: three panels feature finely painted pine trees in cobalt blue underglaze, rendered with expressive brushwork and a strong sense of depth; the other three display circular motifs of stylized pine needles (matsu) framed within a vibrant red lattice pattern, evoking classic Kutani and Imari influences.
The form is both balanced and distinctive, with a narrow, rectangular mouth glazed in a warm brown tone, adding contrast and visual weight to the otherwise delicate palette. The artist’s signature character "爽" (Sō) is hand-painted on the base, and the original wooden tomobako box is included, inscribed and signed by the artist himself—serving as a certificate of authenticity.
This work reflects not only technical precision but also a deep respect for nature, seasonal symbolism, and traditional Japanese decorative arts. It would make an excellent addition to any collection of fine Japanese ceramics, as well as a tasteful display piece for interior settings.
About Henko (扁壺)
The henko is a traditional Japanese ceramic form characterized by its flattened body and often symmetrical, compressed profile. Unlike typical round jars, the henko features a more sculptural silhouette, with two relatively flat sides and a narrow depth, making it ideal for both display and flower arrangement (ikebana).
The form originates from ancient Chinese and Japanese vessel traditions and has been reinterpreted by modern potters as a canvas for artistic glazing and expressive forms. Henko vessels are admired for their balance of function and aesthetics—they are both utilitarian and decorative. Their unique shape provides potters with an opportunity to explore surface treatment, form contrast, and visual rhythm.
Collectors value henko for their elegant, space-conscious design and the way they interact with light and shadow when displayed.
About Sōji Suzuki (鈴木爽司)
Sōji Suzuki is a distinguished Japanese ceramic artist from Kyoto, known for his refined Kyo-yaki porcelain and masterful hand-painted decoration. Born in 1939 as the eldest son of the potter Suzuki Kiyoshi, he grew up in a family environment deeply rooted in ceramic tradition and inherited the modelling and overglaze techniques cultivated in the Suzuki kiln.
Suzuki completed his postgraduate studies at the Kyoto City University of Arts in 1967, after which he trained under two major figures in modern Japanese ceramics: the Living National Treasure Tomimoto Kenkichi and the 6th Kiyomizu Rokubei. This combination of academic training and apprenticeship under master craftsmen formed the foundation of his highly polished artistic style.
From the late 1960s onward, Suzuki’s works were repeatedly selected for important national exhibitions, including the Nitten (Japan Fine Arts Exhibition),Japan Contemporary Arts and Crafts Ex,Kyoto Craft Art Exhibition.Kyoto Prefectural Newcomer, and he went on to earn numerous accolades throughout his career. His works have also been showcased in major exhibitions across Japan, and he has held several solo shows at prominent art venues and department galleries.
In addition to his work as an artist, Suzuki served as a professor at Hyogo Women’s Junior College from 1977, contributing significantly to ceramic education and influencing younger generations of potters. In 2004, a comprehensive monograph of his works was published, further solidifying his reputation within the field of contemporary Japanese ceramics.
Suzuki’s artistry is celebrated for its harmonious balance of form, colour, and line. His pieces often feature elegant hand-painted motifs—particularly natural subjects such as flowers and birds—executed with exceptional precision. Combining traditional Kyo-yaki aesthetics with a refined modern sensibility, his works continue to be highly regarded by collectors and connoisseurs of Japanese porcelain.
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