This wall lamp has two arms, each ending in its own lacquered Zinc Yellow Special RAL 1018 shade. Each shade has two conical lamp holders (60 W LEDs recommended, not included in the price). The arms are adjustable and move from right to left. The transparent cable is 230 cm long, the shades are 30,5 cm high and have a diameter of 15 cm. The small arm measures 95 cm and the large arm measures 105 cm. To optimize the use of this wall lamp, the base must be mounted on the wall. You can see how they look on my Instagram: @juanmalizanastudio. The lamp being sold is the one on display in the store. Juanma Lizana Studio is rooted in the tradition of great lighting design, where light is thought, emotion, and function. Our work dialogues with the legacy of masters such as Serge Mouille, who understood the lamp as a tool for caring for the gaze; Achille and Pier Giacomo Castiglioni, who demonstrated that intelligence and humor can coexist in the same object; and Ingo Maurer, who turned light into a poetic and experimental act. As Philippe Starck argued, design should not be decorative, but honest, useful, and meaningful. Under this premise, at Juanma Lizana Studio we conceive each lamp as a balance between technique and emotion, where form is born from function and the material speaks for itself. We are inspired by the conceptual clarity of brands such as Flos, Artemide, Louis Poulsen, Vibia, and Foscarini, which have elevated lighting to a cultural and architectural language. From them, we learn the importance of research, light control, respect for the user, and the ability to create timeless objects. Following the philosophy of Poul Henningsen, we work with indirect light, visual comfort, and the absence of glare. And, like the Castiglionis, we believe that a good lamp should be understandable, approachable, and deeply human. Sometimes discreet; other times, the star of the show. But always consistent. At Juanma Lizana Studio, each project is a process of observation and experimentation: how light transforms space, how objects interact with architecture, and how design can improve everyday life without imposing itself. Because, as the great designers and brands we admire have shown, the best lamp is not the one that stands out the most, but the one that feels the best.