Antonko - Ksylofoni - Bulgaria





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Antonko Advanced Practice Marimba - 3 Octaves with Resonators
Advanced 3-octave practice and studio marimba by Antonko (Made in Bulgaria). This robust model is perfect for conservatory students, music schools, percussion ensembles, and orchestra practice, delivering great sound projection and tone in a highly compact format.
Range: 3 Octaves (C4 - C7).
Bar Material: Solid tonewood bars with a warm tone and excellent resonance. No cracks or splits.
Resonators: Full set of arched aluminum resonator tubes, properly aligned and free of structural dents.
Frame: Original heavy-duty metal stand equipped with castors for easy transport across classrooms or studios.
Condition: Very well maintained. The original suspension cords and rubber post-isolators are in excellent shape, ensuring stable tuning and a clean tone without any unwanted vibrations. Shows only minor, superficial cosmetic signs of wear from normal use.
A fantastic opportunity to acquire a high-quality educational/orchestral instrument.
Antonko Advanced Practice Marimba - 3 Octaves with Resonators
Advanced 3-octave practice and studio marimba by Antonko (Made in Bulgaria). This robust model is perfect for conservatory students, music schools, percussion ensembles, and orchestra practice, delivering great sound projection and tone in a highly compact format.
Range: 3 Octaves (C4 - C7).
Bar Material: Solid tonewood bars with a warm tone and excellent resonance. No cracks or splits.
Resonators: Full set of arched aluminum resonator tubes, properly aligned and free of structural dents.
Frame: Original heavy-duty metal stand equipped with castors for easy transport across classrooms or studios.
Condition: Very well maintained. The original suspension cords and rubber post-isolators are in excellent shape, ensuring stable tuning and a clean tone without any unwanted vibrations. Shows only minor, superficial cosmetic signs of wear from normal use.
A fantastic opportunity to acquire a high-quality educational/orchestral instrument.

