Daniel (Dadara) Rozenberg (1969) - Fools Ark Map + Burning Man Picture






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Daniel (Dadara) Rozenberg, syntynyt 1969, on luonut vuonna 2000 Fools Ark Map + Burning Man Picture; silkinkuvapainatus paksulle paperille, käsiin signeerattu ja rajoitettu erä 10/115, mitat 58 × 78 cm.
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Medium: Silkscreen on thick paper
Edition: Limited edition of 115 (10/115)
Created: 2000
Signed: Signed and numbered in pencil on the front by Dadara
Size: 58 × 77 cm / 22.8 × 30.3 in
In perfect condition.
Limited edition photo by Dadara, created with the occasion of Burning Man.
This is the official photographic evidence of the installation that Dadara created for Burning Man (2009).
Hand-signed.
From a limited edition of 60.
Size: H17.5 x W23c
Dadara, also known as Daniel Rozenberg, is a Dutch artist whose work moves between painting, drawing, sculpture, performance, public installation, and underground visual culture. He began his career in the early 1990s designing flyers, record covers, and live paintings for the emerging electronic dance scene, before developing a wider artistic universe filled with surreal characters, social commentary, and playful visual chaos.
His work often mixes humor, fantasy, and critique, exploring themes such as money, control, dreams, freedom, technology, and modern society. From the iconic Greyman works to large-scale interactive projects at festivals and Burning Man, Dadara’s practice has always balanced accessibility with deeper conceptual ideas.
Medium: Silkscreen on thick paper
Edition: Limited edition of 115 (10/115)
Created: 2000
Signed: Signed and numbered in pencil on the front by Dadara
Size: 58 × 77 cm / 22.8 × 30.3 in
In perfect condition.
Limited edition photo by Dadara, created with the occasion of Burning Man.
This is the official photographic evidence of the installation that Dadara created for Burning Man (2009).
Hand-signed.
From a limited edition of 60.
Size: H17.5 x W23c
Dadara, also known as Daniel Rozenberg, is a Dutch artist whose work moves between painting, drawing, sculpture, performance, public installation, and underground visual culture. He began his career in the early 1990s designing flyers, record covers, and live paintings for the emerging electronic dance scene, before developing a wider artistic universe filled with surreal characters, social commentary, and playful visual chaos.
His work often mixes humor, fantasy, and critique, exploring themes such as money, control, dreams, freedom, technology, and modern society. From the iconic Greyman works to large-scale interactive projects at festivals and Burning Man, Dadara’s practice has always balanced accessibility with deeper conceptual ideas.
