Attila Kovacs (1938) - Composition

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Attila Kovács: Lineaarinen Rakennus

Medium: Serigrafia
Material: Paperi
Dimensions: 28 x 28 cm kehyksissä 35 x 35 x 4

Editor: Edition Panderma, Basel
Year: 1966
Signature: Allekirjoitettu ja päivätty
Comes with frame and passepartout

Provenance:
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel

Condition / Restauration:
arkistollinen kunto, asetettu mustalle kartongille (35 x 35 cm)

Further Information:

A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.

Attila Kovács was born in 1938, in Budapest and emigrated to West Germany in 1964. He graduated from the Department of Art at the Staatliche Akademie der Bildenen Künste in 1970. Kovács had many international solo and group shows including a retrospective exhibition at the Kunsthalle Budapest in 1995. He was a senior lecturer of the Painting Department at the Hungarian University of Fine Arts between 1997 and 2010 and in 2001 he became a Doctor of Liberal Arts. In 2010 he moved back to Budapest where he died in 2017.

Between 1964 and 1970 Attila Kovács created a unique artistic language he named “Frame of Reference” or “Transmuting Plasticity”, where he built his own system of non-Euclidean sequential geometric abstraction along mathematical coordinates delineated by the three spatial axes x, y and z, and the time axis t (spacetime).

Myyjän tarina

Kunstkontor Basel perustettiin online-taidekauppana Baselissa, Sveitsissä vuonna 2018. Keskitymme konkreettiseen, rakentavaan ja digitaaliseen taiteeseen, joka kattaa avantgarde-asemat 1920-luvulta nykypäivään. Kunstkontor esittelee valikoiman alkuperäisiä tulosteita, kerrannaisia ja ainutlaatuisia teoksia eurooppalaisilta taiteilijoilta yhteistyössä tunnettujen kustantajien kanssa. Teoksia taiteilijoilta, kuten Lajos Kassák, Victor Vasarely, Lou Loeber, Lothar Schreyer, Günther Fruhtrunk, Jo Niemeyer, Lars-Gunnar Nordström, Matti Kujasalo, Peter Vogel ja monet muut.
Kääntänyt Google Translate

Attila Kovács: Lineaarinen Rakennus

Medium: Serigrafia
Material: Paperi
Dimensions: 28 x 28 cm kehyksissä 35 x 35 x 4

Editor: Edition Panderma, Basel
Year: 1966
Signature: Allekirjoitettu ja päivätty
Comes with frame and passepartout

Provenance:
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel

Condition / Restauration:
arkistollinen kunto, asetettu mustalle kartongille (35 x 35 cm)

Further Information:

A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.

Attila Kovács was born in 1938, in Budapest and emigrated to West Germany in 1964. He graduated from the Department of Art at the Staatliche Akademie der Bildenen Künste in 1970. Kovács had many international solo and group shows including a retrospective exhibition at the Kunsthalle Budapest in 1995. He was a senior lecturer of the Painting Department at the Hungarian University of Fine Arts between 1997 and 2010 and in 2001 he became a Doctor of Liberal Arts. In 2010 he moved back to Budapest where he died in 2017.

Between 1964 and 1970 Attila Kovács created a unique artistic language he named “Frame of Reference” or “Transmuting Plasticity”, where he built his own system of non-Euclidean sequential geometric abstraction along mathematical coordinates delineated by the three spatial axes x, y and z, and the time axis t (spacetime).

Myyjän tarina

Kunstkontor Basel perustettiin online-taidekauppana Baselissa, Sveitsissä vuonna 2018. Keskitymme konkreettiseen, rakentavaan ja digitaaliseen taiteeseen, joka kattaa avantgarde-asemat 1920-luvulta nykypäivään. Kunstkontor esittelee valikoiman alkuperäisiä tulosteita, kerrannaisia ja ainutlaatuisia teoksia eurooppalaisilta taiteilijoilta yhteistyössä tunnettujen kustantajien kanssa. Teoksia taiteilijoilta, kuten Lajos Kassák, Victor Vasarely, Lou Loeber, Lothar Schreyer, Günther Fruhtrunk, Jo Niemeyer, Lars-Gunnar Nordström, Matti Kujasalo, Peter Vogel ja monet muut.
Kääntänyt Google Translate

Tiedot

Taiteilija
Attila Kovacs (1938)
Myyjä
Galleria
Editio
Rajoitettu erä
Taideteoksen nimi
Composition
Tekniikka
Silkkipaino
Signeeraus
Käsin signeerattu
Alkuperämaa
Unkari
Vuosi
1966
Kunto
Erinomainen kunto
Leveys
35 cm
Leveys
35 cm
Tyyli
Minimalism
Ajanjakso
1960-1970
Myydään kehysten kanssa
Kyllä
Myynyt käyttäjä
SveitsiVerifioitu
3636
Myydyt esineet
100%
protop

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