Egon Schiele (1890-1918), after - Arnold Schönberg (1917)





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Egon Schiele (jälkeen), Arnold Schönberg, 1917, litografia, rajoitettu erä, 43 × 24 cm, Itävalta, Ekspressionismi, signeerattu levyn pinnalla, hyvä kunto.
Myyjän antama kuvaus
Egon Schiele
„Arnold Schönberg“, 1917
Otto Beneschin mappeista
Egon Schiele als Zeichner, 1951
collotype/Lichtdruck, koko 340 × 240 mm
After Egon Schiele. Provenanssi: pieni painatus, painettu Wienissä Itävallan valtion painotalossa (Staatsdruckerei Österreich) korkealaatuiselle paperille 1940-luvun lopulla / 1950-luvun alussa.
This rare print is very well preserved.
Please see pictures for details about its exact condition.
Very difficult to find as the majority are now in private collections.
International shipping, tracking number, insurance. The collotype will be very carefully and securely packed.
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.
Egon Schiele
„Arnold Schönberg“, 1917
Otto Beneschin mappeista
Egon Schiele als Zeichner, 1951
collotype/Lichtdruck, koko 340 × 240 mm
After Egon Schiele. Provenanssi: pieni painatus, painettu Wienissä Itävallan valtion painotalossa (Staatsdruckerei Österreich) korkealaatuiselle paperille 1940-luvun lopulla / 1950-luvun alussa.
This rare print is very well preserved.
Please see pictures for details about its exact condition.
Very difficult to find as the majority are now in private collections.
International shipping, tracking number, insurance. The collotype will be very carefully and securely packed.
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.

