Koh Kitamura - Rules of Photography 2 - 2000

13
päivät
23
tuntia
15
minuuttia
01
sekunti
Aloitustarjous
€ 1
Ei pohjahintaa
Tarjouksia ei ole tehty

Catawikin ostaja turva

Maksusi pidetään turvassa, kunnes saat esineesi. Näytä tiedot

Trustpilot 4.4 | 143634 arvostelua

Arvosteltu erinomaiseksi Trustpilot.

Myyjän antama kuvaus

Valokuvauksen säännöt 2

Koh Kitamura
Kyoichi Tsuzuki Office/2000/japanese/108*150*25

“Nude Cosmos: Ko Kitamura’s Photographic Principles, Vol. 2,” a collection of works by Japanese photographer Ko Kitamura (1930–). Kimi Kitamura, who began photography while a student at Tokyo University of the Arts, is a unique photographer who has continued to photograph female nudes for many years while maintaining a distance from the mainstream photography scene and the world of commercial photography. His work is not intended for exhibitions or magazine publication; rather, it is an extremely personal practice driven by personal passion and determination, through which he has produced a vast body of work outside the mainstream of Japanese photographic history. This book is part of the “Photography Rules” series, edited and introduced by Kyoichi Tsuzuki, who has focused his attention on Kitamura’s archive. Tsuzuki—known for *ROADSIDE JAPAN* and other works—has consistently shed light on unknown artists and cultures that fall outside established values, and this same interest is strongly reflected in his approach to Kimi Kitamura’s work. Rather than being refined as fine art photography, the nude photographs included here convey the weight of the act of photography itself, carried out continuously for nearly half a century. While existing on the fringes of Japan’s history of nude photography, this book—as a vast record born of personal desire and creative impulse—prompts us to reconsider the depth and richness of amateur photographic culture.

Valokuvauksen säännöt 2

Koh Kitamura
Kyoichi Tsuzuki Office/2000/japanese/108*150*25

“Nude Cosmos: Ko Kitamura’s Photographic Principles, Vol. 2,” a collection of works by Japanese photographer Ko Kitamura (1930–). Kimi Kitamura, who began photography while a student at Tokyo University of the Arts, is a unique photographer who has continued to photograph female nudes for many years while maintaining a distance from the mainstream photography scene and the world of commercial photography. His work is not intended for exhibitions or magazine publication; rather, it is an extremely personal practice driven by personal passion and determination, through which he has produced a vast body of work outside the mainstream of Japanese photographic history. This book is part of the “Photography Rules” series, edited and introduced by Kyoichi Tsuzuki, who has focused his attention on Kitamura’s archive. Tsuzuki—known for *ROADSIDE JAPAN* and other works—has consistently shed light on unknown artists and cultures that fall outside established values, and this same interest is strongly reflected in his approach to Kimi Kitamura’s work. Rather than being refined as fine art photography, the nude photographs included here convey the weight of the act of photography itself, carried out continuously for nearly half a century. While existing on the fringes of Japan’s history of nude photography, this book—as a vast record born of personal desire and creative impulse—prompts us to reconsider the depth and richness of amateur photographic culture.

Tiedot

Kirjojen lukumäärä
1
Aihe
Valokuvaus
Kirjan nimi
Rules of Photography 2
Kirjailija/ Kuvittaja
Koh Kitamura
Kunto
Hyvä
Vanhimman kohteen julkaisuvuosi
2000
Editio
1. painos
Kieli
Japanilainen
Alkuperäinen kieli
Kyllä
Kustantamo
Kyoichi Tsuzuki Office
Sivumäärä
150
Myynyt käyttäjä
JapaniVerifioitu
3131
Myydyt esineet
98.87%
Yksityinentop

Samankaltaisia esineitä

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

Sinulle kategoriassa

Taide- ja valokuvakirjat

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​