Taide

Sisustus

Korut ja jalokivet

Rannekellot, kynät ja sytyttimet

Muoti

Kolikot ja postimerkit

Sarjakuvat ja animaatio

Klassiset autot, moottoripyörät ja automobilia

Viini, viski ja väkevät alkoholijuomat

Aasialainen ja heimotaide

Keräilykortit

Lelut ja pienoismallit

Arkeologia ja luonnonhistoria

Urheilu

Musiikki, elokuvat ja kamerat

Kirjat ja historialliset muistoesineet

Upeimmat esineet esittelee: {name}

Julien Gauthier

A terracotta in the Djenne-Jeno style, Mali, collected in the NIger Inner Delta, close to Mopti, in seated position, the arms and hands resting on the knees. in weathered condition, partly remnants of the old glaze.

Djenné terracotta figures are sculptural works made in the Inner Niger Delta region of what is now Mali, largely in the span from about the 11th to the 16th centuries AD. They are associated with the archaeological site of Djenné‑Jeno (also Jenne‑Jeno), which was among the earliest urban centers in sub‑Saharan West Africa and is important in understanding the rise of social complexity in this region. The figures are often human, but also sometimes zoomorphic or mythological in subject. Their function remains not definitively settled, though ritual, ancestral, protective, or symbolic roles are commonly proposed by scholars.
Structurally, Djenné terracottas are built of clay (terracotta) and fired, usually in open kilns or pits. The bodies are frequently elongated, with square or broadly flat shoulders, with limbs that are stylised rather than fully anatomically naturalistic. The faces often feature almond‑shaped eyes, pronounced noses and mouths, and large ears. Ornamentation such as scarification, raised pastilles (small nodules), incised decoration (linear patterns, geometric motifs), or punctuated marks may occur on the surface. Some figures are seated, kneeling, standing, or in genuflecting postures. Some are quite small (on the order of 10‑15 cm), others reach 30‑50 cm or more in height. A number of them exhibit raised bumps or excrescences on the skin surfaces, which have been interpreted variously (as decorative, ritual, or possibly in some cases reflecting physical illness or symbolic disease).
In terms of style, there is both variation and certain recurring formal traits. For example, some figures display smooth surfaces, others are richly decorated. Some have minimal body detail, only suggesting fingers or toes, while others are more specifically modelled. The distribution of torsos, neck elongation, head size, and facial features shows both individual variation and shared conventions, suggesting both artisan freedom and cultural norms.
Chronologically, thermoluminescence testing and stylistic comparison place many of the figures reliably in the 12th‑15th or 15th‑17th centuries AD. One example: a small figure (ca. 11.4 cm) was tested in Cambridge and dated to 1485‑1615 AD (±65 years). Others, by contrast, have earlier dates based on context in Djenné‑Jeno phases II and III.
As to the social or ritual meaning of these figures, scholars have proposed that they might represent ancestors, spirits, or household deities; some may have served in shrines or private devotional contexts. Some figures are found associated with offerings or located on house floors, in contexts that suggest an interface between the domestic and sacred. The raised motifs or marks may identify status, affiliation, or experience (for example, signs of illness), but there is no scholarly consensus.
The iconography of certain motifs such as snakes or serpents appears in some statues, especially in chest or torso areas, sometimes interwoven with human form, suggesting symbolic layers (healing, spiritual force, life/death thresholds). Also, bodily attitudes such as kneeling, crouching, or supplication, along with the lack of elaborate clothing and the prominence of bodily ornament, contribute to interpretability in terms of ritual posture, mourning, or communication with ancestors.
Preservation and provenance are variable. Many figures were removed from their original contexts before systematic archaeological work, complicating dating and interpretation. Some have been thermoluminescence tested; many have lost limbs or appendages; pigment traces remain in few cases. The surface decoration (scarification, incisions, pastilles) is often the best preserved cue to original appearance.

The description is given to the extend of our knowledge. Without any scientific test, it stays our opinion. 

The seller guarantees and can prove that the object was obtained legally. The seller was informed by Catawiki that they had to provide the documentation required by the laws and regulations in their country of residence. The seller guarantees and is entitled to sell/export this object. The seller will provide all provenance information known about the object to the buyer. The seller ensures that any necessary permits are/will be arranged. The seller will inform the buyer immediately about any delays in obtaining such permits.

References:
National Museum in Szczecin. “Figure MNS/AF/2902 – Terracotta items from the ancient city of Djenne‑Jeno …” Szczecin collection data.
International Council of Museums (ICOM). “Terracotta statuette, Djenné (Niger River Valley), 12th‑15th c. AD, 37 cm.”
Christie’s. “A Djenne terracotta figure seated with the arms free …” lot description.
International Council of Museums (ICOM). “Terracotta statue, Djenné (Niger River Valley), 13th c. AD, 27 cm.”
International Council of Museums (ICOM). “Terracotta statuette covered in pastilles, Djenné‑Djeno, 13th c. AD, 17 cm.”
Sotheby’s. “Djenne Terracotta Figurine, Mali, ca. 15th‑17th century” with thermoluminescence analysis.
Smarthistory. “Seated Figure (Djenné peoples), 13th century, Mali, Inland Niger Delta region …” including stylistic analysis.
Sotheby’s / Hélène Leloup. Statue, Djennenké, detailed description of serpent motif and hairstyle.

Terrakotta - Kunto

Terrakottaveistos - Djenne - Mali  (Ei pohjahintaa)

Afrikkalainen taide ja heimotaide

Pohjahinta

Ei pohjahintaa

Osta nyt

Lopetuspäivämäärä

sunnuntai

torstai

tänään

keskiviikko

lauantai

huomena

perjantai

Budjetti

Mistä

Mihin

Sijainti

Ranska

Belgia

Saksa

Alankomaat

Itävalta

Espanja

Italia

Portugali

Kreikka

Bulgaria

Kypros

Tanska

Yhdistynyt kuningaskunta

Kroatia

Yhdysvallat

Mitat

Korkeus

Leveys

Syvyys

Esine

Heimotaide ja -esineet

Heimonaamiot

Heimoveistokset, -patsaat, -kaiverrukset ja -hahmot

Figuuri

Veistos

Tanssiaisnaamio

Heimotekstiilit ja -vaatteet

Tekstiili

Kirja

Printti

Tikari

Patsas

Heimonaamio

Heimoaseet ja -kilvet

Pienoisveistos

Fetissihahmo

Jakkara

Keihäs

Lyhyt miekka

Heimokorut ja -koristeet

Maalaus

Esi-isän hahmo

Pyhäinjäännöslipas

Miekka

Alkuperämaa

DR Kongo

Nigeria

Mali

Norsunluurannikko

Gabon

Kongo

Ghana

Burkina Faso

Kamerun

Benin

Togo

Kongon demokraattinen tasavalta

Tšad

Tansania

Afrikka

Etelä-Afrikka

Angola

Etiopia

Liberia

Keski-Afrikan tasavalta

Guinea

Ruanda

Materiaali

Pronssi

Terrakotta

Lasi

Nahka

Rauta (työstetty)

Alumiini

Messinki

Kupari

Patinoitu pronssi

Teräs

Kivi

Savi

Metalli

Rauta

Kuori

Kovapuu

Puuvilla

Hiilikuitu

Hius

Valettu messinki

Hopea

Kunto

Hyvä

Hyvä - käytetty, pieniä käytön ja ikääntymisen merkkejä

Erinomainen kunto

Kohtalainen - paljon käytetty, mahdollisia puuttuvia osia

Erinomainen - tuskin käytetty, hyvin vähäisiä käytön ja ikääntymisen merkkejä

Kuin uusi - käyttämätön

Vaatii restaurointia

Kohtuullinen

Hyvässä kunnossa - joitakin käytön merkkejä

Hyväkuntoinen, katso kuvaus

Erittäin hyvä

Julkaisematon / kuin uusi

Kuin uusi

Erinomainen

Kaiken kaikkiaan hyvässä kunnossa, joitakin ikääntymisen ja käytön merkkejä

Kohtuullisessa kunnossa - käytön merkkejä

Erittäin hyvä +

Extrat

No extra's

Ilman alkuperäistä pakkauksessa

Korvaavassa pakkauksessa

Ajanjakso

1900-luvun loppupuoli

1900-luvun puoliväli

2000-2010

1930-1940

1900-luvun alkupuoli

1940-1950

1920-1930

1950-1960

1980-1990

1990-2000

2020-

1910-1920

1800-luvun loppupuoli

1960-1970

1970-1980

1900-1910

1850-1900

2010-2020

2000-luku

1800-luvun puoliväli

1800-luvun alkupuoli

Aihe

Pop-kulttuuri

Antropologia

Uskonto

Tyylisuuntaus

Moderni

Nykyaikainen

Antiikki

Vintage

Brutalist

Restaurointityyli

Art Deco

Bauhaus

Naiivi

Folk Taide

Tekniikka

Giclée

Digitaalinen

Sekatekniikka

Akryylimaalaus

Allekirjoitus

Ei-signeerattu

Käsin signeerattu

Signeerattu

Sidonta

Kovakantinen

Pokkari

Painos

1. painos

Rajoitettu erä

Alkuperäinen

Afrikkalainen taide ja heimotaide

Tämä esine ei ole enää saatavilla, mutta paljon muuta tutkittavaa löytyy kyllä

Terrakottaveistos - Djenne - Mali (Ei pohjahintaa)

Suosittua kategoriassa Afrikkalainen taide ja heimotaide

1122 esinettä

Aiheeseen liittyvät kokoelmat