Good conditions. SEE: https://ja.wikipedia.org/wiki/ファイル:33_-_Kogane_Plain.jpg Description: This serene woodblock print depicts horses peacefully grazing on the autumn fields of Koganehara, with brilliant red foliage scattered across the soft green landscape. A gently flowing stream winds through the scene, adding a sense of quiet movement. In the distance, Mt. Fuji rises in pale hues under a clear sky, anchoring the composition with calm majesty. The artist’s delicate lines and subtle gradations of color capture both the tranquility of rural life and the poetic beauty of Japan’s changing seasons. A harmonious and contemplative view framed by nature, animals, and the iconic silhouette of Fuji. Author: Utagawa Hiroshige 歌川 広重 (1797 – 12 October 1858), was a Japanese Ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). Kodama Matashichi was a Meiji-period ukiyo-e publisher based in Nihonbashi, Tokyo. He is known for producing works by artists such as Yamazaki Toshinobu, Yōshū Chikanobu, and Kobayashi Kiyochika. Kodama’s publications include landscapes, beauty prints, and war triptychs, notable for their refined printing and delicate color gradations. His collaborations with Toshinobu on the Thirty-Six Views of Mount Fuji exemplify the high craftsmanship and transitional aesthetic between traditional ukiyo-e and the emerging Meiji modern style.