Eugène Eechaut (1928-2019) Watercolor on paper, signed and dated. The work is framed and ready to be hung in your interior upon arrival. This watercolor presents an abstracted landscape of the river La Somme, rendered in Eugène Eechaut’s distinctive visual language. Through layered washes of blue and green and softly dissolving forms, the artist evokes water, vegetation, and sky without literal description. The composition balances fluidity and structure, with horizontal rhythms suggesting movement and reflection characteristic of a river landscape. Created during Eechaut’s mature period, the work reflects his approach to transforming natural motifs into atmospheric impressions while remaining closely tied to place. The watercolor is signed by the artist and bears his original studio stamp and embossed mark. An inscription on the reverse indicates that the work was exhibited at Tamara Pfifer Gallery in 1983, confirming its provenance. This work highlights Eechaut’s poetic and restrained interpretation of landscape through color and rhythm. The dimensions with a simple frame measure 53 × 43 cm About the artist: Eugène Eechaut (1928–2019) was a Belgian artist whose career evolved at the crossroads of imagination, technical discipline, and artistic dialogue. He began gaining recognition in 1958, when he received his first distinctions from the European Center for Art and Aesthetics. Early in his career, Eechaut became a member of the artist collective JECTA, an influential Belgian group that included René Magritte. His participation in this circle is confirmed by two surviving newspaper clippings documenting shared exhibitions and professional activity within the group. Since the 1960s, Eugène Eechaut became a regular participant in exhibitions at the Tamara Pfeiffer Gallery in Brussels, a venue internationally recognized for presenting leading figures of modern and avant-garde art. A preserved invitation card from the 1968–1969 exhibition season confirms that Eechaut exhibited in the same gallery alongside major artists such as Max Ernst, Jean Cocteau, Paul Klee, Dorothea Tanning, Léon Navez, Dunoyer de Segonzac, and Félix Labisse. These archival materials clearly demonstrate that Eechaut shared exhibition space with some of the most influential artists of the twentieth century. Over the course of his artistic life, Eechaut developed several distinctive and recognizable artistic styles, rather than adhering to a single visual language. His work is characterized by evolving color palettes and a strong sense of structure, combining elegance with expressive freedom. He gradually refined and mastered ink techniques, achieving a high level of precision and control that became a defining element of his artistic identity. Despite consistent exhibition activity and professional recognition, Eechaut remained notably discreet and protective of his work, rarely offering pieces for sale—even within his own family. This personal approach has contributed to the rarity of his works on the market today. Supported by archival documents, exhibition invitations, and press records, Eugène Eechaut’s legacy emerges as that of a disciplined and original artist, firmly embedded in the European art scene and in direct dialogue with some of its most celebrated figures. Will be well packaged, protected and insured