After Raphael (1483–1520) Fruit Garland Oil on canvas, signed and dated 1929 This decorative composition presents a lively group of putti bearing an abundant garland of fruit, conceived as a conscious homage to the High Renaissance ideal, filtered through early 20th-century academic historicism. The scene directly recalls Raphael’s celebrated inventions of playful, softly modeled child figures, particularly as transmitted through engravings, studio replicas, and later academic reinterpretations. The putti are arranged in a dynamic yet balanced frieze-like composition, their intertwined bodies creating a rhythmic alternation of movement and repose. The fruit garland—rich with grapes, apples, pears, and berries—functions both as a compositional anchor and as a symbolic motif of abundance, fertility, and nature’s generosity. Its weight is convincingly conveyed through the coordinated gestures of the figures, enhancing the illusion of physical presence. Stylistically, the painting adopts Renaissance-inspired ideals: rounded anatomy, idealized proportions, and a harmonious integration of figures within a softly atmospheric landscape. The modeling of flesh is smooth and luminous, with warm tonal transitions and an intentionally subdued brushwork that prioritizes form and clarity over painterly expression. The color palette, dominated by golden flesh tones and earthy greens, reinforces the classical character of the scene.