Lo primero que funciona muy bien es la postura del cuerpo: ese arco forzado, casi incómodo, transmite vulnerabilidad física y emocional a la vez. No es un cuerpo “descansando”, es un cuerpo expuesto, a la intemperie. La torsión del tronco y la cadera genera tensión, y eso sostiene el interés visual sin necesidad de dramatismo explícito. La atmósfera está muy lograda. El bosque vertical, frío y repetitivo, funciona casi como una jaula simbólica. No hay profundidad acogedora: hay distancia, indiferencia. La nieve cayendo suaviza la escena, pero no la consuela; al contrario, refuerza la sensación de silencio y soledad. En cuanto al color, la elección es de tonos fríos, pero el tono de la piel introduce humanidad sin volverse cálido del todo.El rostro es quizá lo más delicado: no dramatizas en exceso la expresión, y eso juega a favor. No hay grito, no hay lágrima evidente. Hay cansancio, entrega, quizá resignación. Eso hace que el abandono no sea teatral, sino existencial. Oil on canvas on a wooden frame ready to hang. Completely handmade painting without any printing. Certificate of authe­nticity . Shipments in cardboa­rd box. Cristina Cañamero, Campillos, Málaga, 19­70, has a degree from the University of Fine Arts of Granada with a specialty in painting. He lives and works in Córdoba, Spain. Selected in Saatchia­rt's New perspectives and Best of Spring III (printed catalo­gues 2022). Since 1994 she has made various individu­al exhibitions, most of them, with Alfre­do Viñas gallery in Malaga, Spain. She has also made nu­merous collective ex­hibitions, participa­ting in fairs such as ARCO or the Lisbon InternationalOil on canvas on a wooden frame ready to hang. Completely handmade painting without any printing. Certificate of authe­nticity . Shipments in cardboa­rd box. Cristina Cañamero, Campillos, Málaga, 19­70, has a degree from the University of Fine Arts of Granada with a specialty in painting. He lives and works in Córdoba, Spain. Selected in Saatchia­rt's New perspectives and Best of Spring III (printed catalo­gues 2022). Since 1994 she has made various individu­al exhibitions, most of them, with Alfre­do Viñas gallery in Malaga, Spain. She has also made nu­merous collective ex­hibitions, participa­ting in fairs such as ARCO or the Lisbon International Conte­mporary Art Fair. Her artworks are pre­sent in numerous ins­titutions such as the Coca-Cola collecti­on, the Unicaja coll­ection, CAC Malaga, etc. Regarding private co­llections, her artwo­rks are present in the United States, It­aly, Germany, Cyprus, France, United Kin­gdom, Belgium, Nethe­rlands, Poland, Czech Republic, Switzerl­and, Spain, etc Conte­mporary Art Fair. Her artworks are pre­sent in numerous ins­titutions such as the Coca-Cola collecti­on, the Unicaja coll­ection, CAC Malaga, etc. Regarding private co­llections, her artwo­rks are present in the United States, It­aly, Germany, Cyprus, France, United Kin­gdom, Belgium, Nethe­rlands, Poland, Czech Republic, Switzerl­and, Spain, etc