Nr. 103499652

Eladva
Egy terrakottafej - Djenne - Mali  (Nincs minimálár)
Végső licit
€ 174
Nincs minimálár
4 héttel ezelőtt

Egy terrakottafej - Djenne - Mali (Nincs minimálár)

This terracotta head-fragment from the Inland Niger Delta, attributed to the urban complex of Djenné-Jeno and reportedly collected in the region of Mopti in present-day Mali, exemplifies the formal and symbolic density characteristic of first-millennium sculptural traditions of the Middle Niger. The face is organized around a poised verticality: a slender, rectilinear nose descends toward full, carefully modeled lips, beneath which a small goatee introduces a note of individualized physiognomy. The eyes, rendered as pronounced, bulging orbs, project an alert, almost otherworldly presence. At the temples, incised scarification patterns articulate identity and status, indexing practices of corporeal inscription that carried social, aesthetic, and possibly therapeutic meanings. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication. Most striking is the cranial surface, animated by numerous serpentine forms that appear to coil across the skull. Whether read as literal ophidian imagery or as an abstracted coiffure inflected by mythic associations, these elements invite interpretation within broader West African cosmologies in which serpents mediate between terrestrial and aquatic realms, vitality and regeneration. Their proliferation across the head may signal protective potency, ancestral affiliation, or the containment of dangerous knowledge. The fragmentary state intensifies this ambiguity, foregrounding the head as a locus of perception, speech, and spiritual agency. Technically, the work demonstrates refined control of hand-built terracotta, with subtle modulation of planes and incisive detailing. Its aesthetic economy aligns with other Djenné-region finds while retaining a singular iconographic program. As such, the fragment contributes to ongoing debates about workshop practices, regional styles, and the circulation of ideas within the Inland Niger Delta’s early urban networks. Selected literature McIntosh, Roderick J., and Susan Keech McIntosh. “Cities Without Citadels: Understanding Urban Origins Along the Middle Niger.” Insoll, Timothy. “The Archaeology of Islam in Sub-Saharan Africa.” Bedaux, Rogier, et al. “The Inland Niger Delta: Archaeology and Environment.” LaGamma, Alisa, ed. “Sahel: Art and Empires on the Shores of the Sahara.” #afrohemian26

Nr. 103499652

Eladva
Egy terrakottafej - Djenne - Mali  (Nincs minimálár)

Egy terrakottafej - Djenne - Mali (Nincs minimálár)

This terracotta head-fragment from the Inland Niger Delta, attributed to the urban complex of Djenné-Jeno and reportedly collected in the region of Mopti in present-day Mali, exemplifies the formal and symbolic density characteristic of first-millennium sculptural traditions of the Middle Niger. The face is organized around a poised verticality: a slender, rectilinear nose descends toward full, carefully modeled lips, beneath which a small goatee introduces a note of individualized physiognomy. The eyes, rendered as pronounced, bulging orbs, project an alert, almost otherworldly presence. At the temples, incised scarification patterns articulate identity and status, indexing practices of corporeal inscription that carried social, aesthetic, and possibly therapeutic meanings. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

Most striking is the cranial surface, animated by numerous serpentine forms that appear to coil across the skull. Whether read as literal ophidian imagery or as an abstracted coiffure inflected by mythic associations, these elements invite interpretation within broader West African cosmologies in which serpents mediate between terrestrial and aquatic realms, vitality and regeneration. Their proliferation across the head may signal protective potency, ancestral affiliation, or the containment of dangerous knowledge. The fragmentary state intensifies this ambiguity, foregrounding the head as a locus of perception, speech, and spiritual agency.

Technically, the work demonstrates refined control of hand-built terracotta, with subtle modulation of planes and incisive detailing. Its aesthetic economy aligns with other Djenné-region finds while retaining a singular iconographic program. As such, the fragment contributes to ongoing debates about workshop practices, regional styles, and the circulation of ideas within the Inland Niger Delta’s early urban networks.

Selected literature
McIntosh, Roderick J., and Susan Keech McIntosh. “Cities Without Citadels: Understanding Urban Origins Along the Middle Niger.”
Insoll, Timothy. “The Archaeology of Islam in Sub-Saharan Africa.”
Bedaux, Rogier, et al. “The Inland Niger Delta: Archaeology and Environment.”
LaGamma, Alisa, ed. “Sahel: Art and Empires on the Shores of the Sahara.”

#afrohemian26

Végső licit
€ 174
Nincs minimálár
Julien Gauthier
Szakértő
Becslés  € 430 - € 500

Hasonló tárgyak

Önnek ajánlott:

Afrikai és törzsi művészet

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