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Artist: Marcello Morandini (1940)
Title: Nº 56 B
Medium: Silkscreen Print on cardboard
Paper: Rossapina Fabriano 300g
Edition: Limited edition, not numbered
Hand-signed by the artist in pencil
Dimensions: 30 x 30 cm
Condition: Good condition with authenticity and integrity.
Shipped well packaged and with tracking number.

About number 56 B:

The dominating colours in Marcello Morandini’s work are the non-colours black and white. This applies both to his works as a designer as well as those as an artist. “My idea is an alphabet in black and white, which offers me an immeasurable number of possibilities for conveying emotions, and with which I can arrive at highly differing results”, as Morandini explained in the catalogue to the 2006 exhibition Bianco e Nero at Museum Ritter.

Marcello Morandini has remained faithful to this self-imposed constraint right from his earliest works, and demonstrates to this day just how fruitful it is. Perhaps one should also take this as being more of a conceptual maxim and seek the essence of his work elsewhere. One of his early pieces dates from 1969 and bears the title 56 B – 1969. It was done at the time when Op Art presented a profound, trail-blazing new beginning in art. While previously art and the effect that it created had assumed a more or less passive viewer, Op Art fundamentally questioned this prerequisite. The practitioners of Op Art took it as given that the viewer’s perceptions not only influenced the work but by and large constituted it in the first place.

Biography:
Marcello Morandini was born in Mantua on the 15th of May 1940. He attended the Brera Art Academy in Milan where he also worked as an assistant designer for an industry and as a graphic artist for a professional studio. The first drawings with direct reference to his artistic research date to 1962. In 1964 he began his first three-dimensional works, exhibited in 1965 in his first one-man exhibition held in Genoa, curated by Germano Celant. 1967 saw his first important exhibitions in Milan, Frankfurt and Cologne. In the same year he was at the IX Biennial of Sao Paolo in Brazil. In 1968 he was invited with a personal room in the Italian Pavilion to the XXXIV Venice International Biennial. In 1969 he was invited to represent Italian art in Brussels as part of the Europalia exhibitions. In 1970 he began a collaboration with the gallery owner Carl Laszlo in Basle. Thanks to this collaboration in 1972 the artist held his important one-person exhibition at the Kestnergesellschaft in Hanover. In 1974 he planned a city square with a diameter of 30 metres for the INA commercial centre in Varese. In 1977 he was invited to Documenta 6 in Kassel. At the Civic Museums of Varese he organized with H. Heinz Holz the second “International Symposium of Constructive Art Studies”.

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Marcello Morandini (1940) - N 56 B

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