A strong and carefully curated group of British and European jazz 78 rpm records, spanning the late 1920s through the mid-1950s, and centred on the golden age of swing and early modern jazz. The selection is led by major international names such as Artie Shaw, Glenn Miller, Tommy Dorsey, Harry James, and Humphrey Lyttelton, alongside key British figures including Nat Gonella, Harry Roy, Joe Daniels, Sid Phillips, and Ted Heath. Together these records document the development of jazz in Britain and Europe – from hot, American-influenced dance bands of the interwar years to confident post-war big bands and the emerging British jazz revival. Most are desirable UK pressings on HMV, Parlophone, Decca, Columbia, and Capitol, with additional interest provided by French and Italian issues. All records are offered in VG+ to EX condition, making this an attractive opportunity for collectors seeking authentic swing-era jazz, historically important recordings, and visually striking original labels from the shellac era. Artie Shaw and His Orchestra – I Believe / And So to Bed – Parlophone R.3054 – UK – c.1939. A polished late-1930s British Parlophone issue from one of swing’s most sophisticated bandleaders. Shaw’s refined clarinet tone and cool orchestral balance give both sides an elegant, modern feel. A desirable UK pressing representing Shaw at his commercial and artistic peak. Glenn Miller and His Orchestra – Blue Rain / A String of Pearls – HMV B.D.5927 – UK – 1939. A classic British HMV pressing capturing Miller at the height of his popularity. A String of Pearls is one of his defining recordings, instantly recognisable for its elegant swing and clarinet-led sound, while Blue Rain provides a smooth, atmospheric companion. A cornerstone Glenn Miller 78 with enduring collector appeal. Tommy Dorsey and His Orchestra – Night and Day / Smoke Gets in Your Eyes – HMV B.8681 – UK – 1938. A classic HMV coupling pairing two timeless standards, performed with Dorsey’s unmistakably smooth trombone tone. Elegantly arranged and beautifully recorded, this is a flagship late-1930s British issue with enduring appeal well beyond jazz circles. Harry James and His Orchestra – Trumpet Blues and Cantabile / Concerto for Trumpet – Parlophone R.2852 – UK – 1942. Two showcase performances highlighting James’s powerful, virtuosic trumpet style. Issued during the wartime years, this British Parlophone pressing captures him at the height of his popularity. An essential title for collectors of swing-era trumpet stars. Nat Gonella & His Georgians – Deep Purple / South of the Border – Odeon 279.670 – France – c.1939. A highly appealing continental Odeon issue featuring Britain’s leading swing trumpeter. Deep Purple is delivered with warmth and polish, while South of the Border adds rhythmic charm. French pressings of Gonella are increasingly sought after by jazz collectors. Ted Heath and His Music – The Faithful Hussar / Siboney – Decca F.10746 – UK – early 1950s. A bold, well-recorded Decca pairing from Heath’s post-war orchestra, combining a rousing march arrangement with a vibrant Latin-flavoured standard. Big, confident sound with strong brass presence. Humphrey Lyttelton and His Band – Bad Penny Blues / Close Your Eyes – Parlophone R.4184 – UK – 1956. A landmark British jazz release from the heart of the 1950s revival. Bad Penny Blues is Lyttelton’s defining hit – lean, driving, and unmistakably modern – backed with the smoky, late-night swing of Close Your Eyes. A cornerstone UK jazz 78. Harry Roy & His Orchestra – Tiger Rag / Canadian Capers – Parlophone R.1505 – UK – c.1928. A classic early British jazz pairing from one of the UK’s most influential bandleaders. Tiger Rag brings hot, driving jazz energy, balanced by the jaunty syncopation of Canadian Capers. Harry Roy and His Orchestra – You Did Ev’rything for Me / Chewing Gum – Parlophone R.1542 – UK – c.1932. An appealing early-1930s Parlophone pairing showing Roy’s versatility, contrasting polished romantic swing with playful novelty material. Joe Daniels and His Hot Shots – In the Shade of the Old Apple Tree / Chinatown, My Chinatown – Parlophone F.322 – UK – c.1938. Issued under Daniels’ celebrated “Drumnasticks” billing, this energetic coupling delivers tightly driven swing with strong rhythmic flair. A highly attractive pre-war jazz Parlophone. Sid Phillips and His Orchestra – Hors d’Oeuvres / Oh Dear! What Can the Matter Be – HMV B.D.6053 – UK – c.1939. A lively late-1930s HMV disc combining brisk swing with a light-hearted, modernised traditional tune. Ted Heath and His Music – Wot Cher! / Any Old Iron – Decca (Supreme Record) – UK – early 1950s. A characterful pairing of British crowd-pleasers, arranged with weight, humour, and punch by Heath’s powerful post-war band. Winifred Atwell – Let’s Have a Party (Part 1 & 2) – Philips P.B.213 – UK – c.1957. A late-era 78 capturing Atwell’s infectious boogie-woogie piano style. Increasingly scarce on shellac and highly appealing to post-war collectors. Kay Starr – Wheel of Fortune / Warash Cannon Ball – Capitol CL.13717 – UK – c.1952. A strong UK Capitol issue bridging big-band vocals and early modern pop, pairing a major hit with rhythmic novelty. Sam Lanin’s Dance Orchestra – Tambourine / Hallelujah – Imperial 1818 – UK – c.1927. A polished late-1920s British pressing aimed squarely at the fashionable dance-hall market, with strong transatlantic appeal. Roberto Murolo – Scalinatella / Guapparia – Durium A.I.9374 – Italy – c.1950. An atmospheric Italian release showcasing intimate Neapolitan song, appealing to collectors of European vocal and regional repertoire. The Big Ben Banjo Band – Let’s Get Together No. 2 (First Part / Conclusion) – Columbia D.B.3554 – UK – c.1931. A rousing two-part medley capturing the exuberant banjo-band sound of early-1930s British dance-hall entertainment.