Assadour Baharian (1924–1990) - Lanscape

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Assadour Baharian, Lanscape, et landskapsakvarell fra 1988, signert, originalutgave, solgt med ramme, Hellas, 72 × 54 cm, i utmerket stand.

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Beskrivelse fra selgeren

Assadour Baharian (1924–1990). Han var en fremtredende skikkelse i den gresk-armenske fellesskapet, en motstandsdyktig aktivist og en visjonær som transformerte det greske kunstlandskapet selv i de mørkeste politiske tider.
The Visionary of Resistance and the "Ora" of Greek Culture
Assadour Baharian var en fremtredende gresk-armensk maler, grafisk designer og kulturell banebryter. Hans liv var et vitnesbyrd om kunstens kraft som en form for motstand, og hans arbeid forblir en hjørnestein i 1900-tallet greske kulturhistorie.

Early Life and The Shadow of War
Born in Athens in 1924, Baharian grew up in a refugee settlement, a background that deeply influenced his social consciousness. He studied at the Athens School of Fine Arts under masters like Umvertos Argyros and Dimitrios Biskinis. However, his studies were interrupted by the German occupation of Greece, during which he actively participated in the National Resistance.

The Prison Years: Art as Survival
In 1945, due to his political activism, Baharian was arrested. He spent the next 15 years (1945–1960) as a political prisoner in various Greek jails and places of exile.

The Prison Collection: Despite the bleak conditions, he never stopped painting. He used whatever materials he could find to depict the daily lives of prisoners, creating a hauntingly beautiful collection of works in soft, dim tones.

First Recognition: His prison works were first exhibited at the Zygos gallery in 1961, immediately establishing him as a master of "critical realism."

The "Ora" Cultural Center: A Beacon in the Dark
In 1969, during the height of the Greek military junta (1967–1974), Baharian founded the Ora Artistic and Cultural Center in a neoclassical building near Syntagma Square.

Cultural Hub: Under his direction, "Ora" became the most vital intellectual hub in Athens. It wasn't just a gallery; it was a sanctuary for music, poetry, and debate, keeping the spirit of free thought alive when it was most suppressed.

Graphic Arts: He also taught graphic design at the Vakalo School, bridging the gap between fine art and commercial communication.

Artistic Evolution
While his early work was defined by the "dark" realism of his imprisonment, his later years saw a transition toward watercolors.

The Master of Light: His watercolor landscapes are celebrated for their technical perfection and sensitive use of color, reflecting a more poetic and serene outlook on the world.

International Presence: He presented over 38 solo exhibitions and represented Greece in major international forums, including the European Watercolor Institute in Brussels (1987).

Legacy
Assadour Baharian døde i Athen i 1990. I 2003 organiserte National Bank of Greece Cultural Foundation (MIET) en omfattende retrospektiv av hans arbeid, og befestet hans plass som en av de viktigste greske kunstnerne i etterkrigstiden.

"He regained his liberty at 36, but he never let his spirit be imprisoned."

Dette unike akvarellmaleriet er opprinnelig innrammet, og de endelige målene inklusive ark/lerret/ramme er 91x73x2 cm

Assadour Baharian (1924–1990). Han var en fremtredende skikkelse i den gresk-armenske fellesskapet, en motstandsdyktig aktivist og en visjonær som transformerte det greske kunstlandskapet selv i de mørkeste politiske tider.
The Visionary of Resistance and the "Ora" of Greek Culture
Assadour Baharian var en fremtredende gresk-armensk maler, grafisk designer og kulturell banebryter. Hans liv var et vitnesbyrd om kunstens kraft som en form for motstand, og hans arbeid forblir en hjørnestein i 1900-tallet greske kulturhistorie.

Early Life and The Shadow of War
Born in Athens in 1924, Baharian grew up in a refugee settlement, a background that deeply influenced his social consciousness. He studied at the Athens School of Fine Arts under masters like Umvertos Argyros and Dimitrios Biskinis. However, his studies were interrupted by the German occupation of Greece, during which he actively participated in the National Resistance.

The Prison Years: Art as Survival
In 1945, due to his political activism, Baharian was arrested. He spent the next 15 years (1945–1960) as a political prisoner in various Greek jails and places of exile.

The Prison Collection: Despite the bleak conditions, he never stopped painting. He used whatever materials he could find to depict the daily lives of prisoners, creating a hauntingly beautiful collection of works in soft, dim tones.

First Recognition: His prison works were first exhibited at the Zygos gallery in 1961, immediately establishing him as a master of "critical realism."

The "Ora" Cultural Center: A Beacon in the Dark
In 1969, during the height of the Greek military junta (1967–1974), Baharian founded the Ora Artistic and Cultural Center in a neoclassical building near Syntagma Square.

Cultural Hub: Under his direction, "Ora" became the most vital intellectual hub in Athens. It wasn't just a gallery; it was a sanctuary for music, poetry, and debate, keeping the spirit of free thought alive when it was most suppressed.

Graphic Arts: He also taught graphic design at the Vakalo School, bridging the gap between fine art and commercial communication.

Artistic Evolution
While his early work was defined by the "dark" realism of his imprisonment, his later years saw a transition toward watercolors.

The Master of Light: His watercolor landscapes are celebrated for their technical perfection and sensitive use of color, reflecting a more poetic and serene outlook on the world.

International Presence: He presented over 38 solo exhibitions and represented Greece in major international forums, including the European Watercolor Institute in Brussels (1987).

Legacy
Assadour Baharian døde i Athen i 1990. I 2003 organiserte National Bank of Greece Cultural Foundation (MIET) en omfattende retrospektiv av hans arbeid, og befestet hans plass som en av de viktigste greske kunstnerne i etterkrigstiden.

"He regained his liberty at 36, but he never let his spirit be imprisoned."

Dette unike akvarellmaleriet er opprinnelig innrammet, og de endelige målene inklusive ark/lerret/ramme er 91x73x2 cm

Detaljer

Kunstner
Assadour Baharian (1924–1990)
Solgt med ramme
Ja
Solgt av
Direkte fra kunstneren
Utgave
Original
Tittel på kunstverk
Lanscape
Teknikk
Vannbasert maling
Signatur
Signert
Opprinnelsesland
Hellas
År
1988
Tilstand
Glimrende tilstand
Farge
Beige, Blå, Grønn, Hvit
høyde
72 cm
Width
54 cm
Skildring/tema
Landskap
Style
Samtidskunst
Periode
1980–1990
HellasBekreftet
Ny
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