Alfonso Parisini

Amerikanske tegneserier auksjon (søndags-komikk)

Sjeldne overlevde avisstripper med Betty Boop av Max Fleisher. 16 sider (29 × 39,5 cm). Sidene er i veldig god stand, rynker, rifter og avflaking kan forekomme, se bildene for detaljer.

Periode 1935–1936 (6x1935, 10x1936)

Tegneserier på baksiden: The G-Man (14x), Needlenoose Noonan,...

Max Fleischer (født Majer Fleischer /ˈflaɪʃər/; 19. juli 1883 – 11. september 1972) var en amerikansk animator og studioeier. Født i Kraków, i det som da var Østerrike-Polen, immigrerte Fleischer til USA hvor han ble en pioner i utviklingen av den animerte tegnefilmen og ledet Fleischer Studios, som han var med på å grunnlegge sammen med sin yngre bror Dave. Han førte slike komikkfigurer som Koko the Clown, Betty Boop, Popeye og Superman til kinoens lerret, og var ansvarlig for flere teknologiske innovasjoner, inkludert Rotoscope, teknikken 

Rare surviving newspaper strips featuring Betty Boop by Max Fleisher. 16 pages (29x39.5 cm). The pages are in very good condition, wrinkles, tears, flaking can occur, look at the photos for details. 
 

Period 1935-1936 (6x1935, 10x1936)

Comics on the back: The G-Man (14x), Needlenoose Noonan,...

Max Fleischer (born Majer Fleischer /ˈflaɪʃər/; July 19, 1883 – September 11, 1972) was an American animator and studio owner. Born in Kraków, in Austrian Poland, Fleischer immigrated to the United States where he became a pioneer in the development of the animated cartoon and served as the head of Fleischer Studios, which he co-founded with his younger brother Dave. He brought such comic characters as Koko the Clown, Betty Boop, Popeye, and Superman to the movie screen, and was responsible for several technological innovations, including the Rotoscope, the "Follow the Bouncing Ball" technique pioneered in the Ko-Ko Song Car-Tunes films, and the "Stereoptical Process". Film director Richard Fleischer was his son. 

Max Fleischer's Betty Boop character was born out of a cameo caricature in the early Talkartoon, Dizzy Dishes (1930). Fashioned after popular singer Helen Kane, she originated as a hybrid poodle/canine figure and was such a sensation in the New York preview that Paramount encouraged Fleischer to develop her into a continuing character. While she originated under animator Myron "Grim" Natwick, she was transformed into a human female under Seymour Kneitel and Berny Wolf and became Fleischer's most famous character.

The "Betty Boop" series began in 1932 and became a big success for Fleischer. That same year, Helen Kane filed a lawsuit against Fleischer, Fleischer Studios, and Paramount claiming that the cartoons were a deliberate caricature of her, created unfair competition, and had ruined her career. The suit went to trial in 1934. Judge Edward J. McGoldrick ruled, "The plaintiff has failed to sustain either cause of action by proof of sufficient probative force." In his opinion, the "baby" technique of singing did not originate with Kane

Will be shipped with track&trace.

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Betty Boop - 16 Avis sider - 1935/1936

Max Fleisher - Veldig god

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Betty Boop avis sider, 16 løse sider fra 1935–1936 av Max Fleischer, i meget bra stand.

Betty Boop - 16 Avis sider - 1935/1936

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Betty Boop avis sider, 16 løse sider fra 1935–1936 av Max Fleischer, i meget bra stand.

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