Nr. 103745360

Solgt
Szarvas - Hengende lampe - Tre, Glass
Siste bud
€ 38
Ingen reservasjonspris
9 uker siden

Szarvas - Hengende lampe - Tre, Glass

    •    Authentic 1960s design pendant lamp with visible production label and handwritten inventory number     •    Original enameled metal construction with layered reflector system     •    Fitted with a durable porcelain bulb socket, typical for high-quality mid-century lighting     •    Rare workshop prototype or pre-production sample seldom appearing on the market     •    Elegant modernist silhouette suitable for collectors and sophisticated interiors Inspired by Lyskaer, Louis Poulsen, Poul Henningsen This striking pendant lamp originates from the experimental design environment of the 1960s, a period when European lighting manufacturers explored new technical solutions and sculptural forms for domestic illumination. The piece embodies the essence of mid-century modern lighting design: clarity of form, intelligent engineering, and harmonious proportion. Manufactured from metal with a resilient enamel coating, the lamp features a carefully constructed multi-layer shade structure. The upper cylindrical housing rises from a brass suspension element and transitions into the main body where a system of slender spacers supports the reflective components. The outer circular shade spreads outward in a refined aerodynamic profile while the inner diffuser element regulates the direction of light. This layered configuration allows illumination to be softened and redistributed, eliminating harsh glare and producing a balanced ambient glow. Inside the fixture sits a porcelain bulb fitting, a material widely used in quality lighting production during the mid-twentieth century due to its excellent heat resistance and durability. Porcelain sockets were typically reserved for well-engineered luminaires and remain a strong indicator of thoughtful construction. Their presence ensures both safety and longevity, reinforcing the lamp’s original functional integrity. The interior of the shade retains a production label together with a handwritten number, strongly suggesting that the lamp was part of a prototype or development batch. During the design process, manufacturers frequently marked early samples with identification numbers for internal evaluation, testing, or showroom demonstration before official serial production began. Such pieces rarely survive in large numbers, making examples like this especially appealing to collectors of design prototypes and experimental models. The enamel finish presents the subtle patina expected from an authentic mid-century object. Gentle tonal variation and minor traces of age reflect decades of use while preserving the elegant character of the original surface. These small signs of history enhance the authenticity of the piece and connect it directly to the era in which it was produced. From a stylistic perspective the lamp reflects the broader international movement that defined interior design throughout the post-war decades. Designers sought to combine technical precision with visual lightness, creating objects that were both functional tools and sculptural elements within architectural space. The floating layered discs, controlled geometry, and balanced proportions demonstrate the influence of Scandinavian functionalism alongside the rational industrial design principles emerging across Europe. Today pendant lamps of this type are admired not only for their lighting performance but also for their aesthetic presence. Suspended above a dining table, positioned in a kitchen environment, or placed within a living area, the lamp acts as a central visual anchor. Its neutral enamel tone integrates effortlessly with wood surfaces, minimalist interiors, vintage furniture, and contemporary architectural settings. Prototype pieces occupy a unique position within the design world. They capture the moment when a concept evolves into a physical object, preserving details that sometimes disappear in later production versions. The internal numbering and workshop label therefore give this lamp an additional layer of historical interest, offering insight into the development phase of mid-century lighting manufacture. More than simply a functional luminaire, this piece represents a small chapter of twentieth-century design history. It reflects the ingenuity of designers experimenting with reflection, diffusion, and proportion to create efficient yet elegant lighting solutions. The combination of enameled metal craftsmanship, porcelain socket construction, prototype identification, and timeless modernist form makes this lamp a compelling object for collectors of vintage lighting and mid-century design. Whether incorporated into a curated interior, a modern residence, or a design-focused workspace, it offers both visual refinement and historical authenticity. As surviving prototype examples from the 1960s become increasingly scarce, this pendant lamp stands as a distinctive artifact of design experimentation and enduring craftsmanship.

Nr. 103745360

Solgt
Szarvas - Hengende lampe - Tre, Glass

Szarvas - Hengende lampe - Tre, Glass


    •    Authentic 1960s design pendant lamp with visible production label and handwritten inventory number
    •    Original enameled metal construction with layered reflector system
    •    Fitted with a durable porcelain bulb socket, typical for high-quality mid-century lighting
    •    Rare workshop prototype or pre-production sample seldom appearing on the market
    •    Elegant modernist silhouette suitable for collectors and sophisticated interiors
Inspired by Lyskaer, Louis Poulsen, Poul Henningsen

This striking pendant lamp originates from the experimental design environment of the 1960s, a period when European lighting manufacturers explored new technical solutions and sculptural forms for domestic illumination. The piece embodies the essence of mid-century modern lighting design: clarity of form, intelligent engineering, and harmonious proportion.

Manufactured from metal with a resilient enamel coating, the lamp features a carefully constructed multi-layer shade structure. The upper cylindrical housing rises from a brass suspension element and transitions into the main body where a system of slender spacers supports the reflective components. The outer circular shade spreads outward in a refined aerodynamic profile while the inner diffuser element regulates the direction of light. This layered configuration allows illumination to be softened and redistributed, eliminating harsh glare and producing a balanced ambient glow.

Inside the fixture sits a porcelain bulb fitting, a material widely used in quality lighting production during the mid-twentieth century due to its excellent heat resistance and durability. Porcelain sockets were typically reserved for well-engineered luminaires and remain a strong indicator of thoughtful construction. Their presence ensures both safety and longevity, reinforcing the lamp’s original functional integrity.

The interior of the shade retains a production label together with a handwritten number, strongly suggesting that the lamp was part of a prototype or development batch. During the design process, manufacturers frequently marked early samples with identification numbers for internal evaluation, testing, or showroom demonstration before official serial production began. Such pieces rarely survive in large numbers, making examples like this especially appealing to collectors of design prototypes and experimental models.

The enamel finish presents the subtle patina expected from an authentic mid-century object. Gentle tonal variation and minor traces of age reflect decades of use while preserving the elegant character of the original surface. These small signs of history enhance the authenticity of the piece and connect it directly to the era in which it was produced.

From a stylistic perspective the lamp reflects the broader international movement that defined interior design throughout the post-war decades. Designers sought to combine technical precision with visual lightness, creating objects that were both functional tools and sculptural elements within architectural space. The floating layered discs, controlled geometry, and balanced proportions demonstrate the influence of Scandinavian functionalism alongside the rational industrial design principles emerging across Europe.

Today pendant lamps of this type are admired not only for their lighting performance but also for their aesthetic presence. Suspended above a dining table, positioned in a kitchen environment, or placed within a living area, the lamp acts as a central visual anchor. Its neutral enamel tone integrates effortlessly with wood surfaces, minimalist interiors, vintage furniture, and contemporary architectural settings.

Prototype pieces occupy a unique position within the design world. They capture the moment when a concept evolves into a physical object, preserving details that sometimes disappear in later production versions. The internal numbering and workshop label therefore give this lamp an additional layer of historical interest, offering insight into the development phase of mid-century lighting manufacture.

More than simply a functional luminaire, this piece represents a small chapter of twentieth-century design history. It reflects the ingenuity of designers experimenting with reflection, diffusion, and proportion to create efficient yet elegant lighting solutions.

The combination of enameled metal craftsmanship, porcelain socket construction, prototype identification, and timeless modernist form makes this lamp a compelling object for collectors of vintage lighting and mid-century design. Whether incorporated into a curated interior, a modern residence, or a design-focused workspace, it offers both visual refinement and historical authenticity.

As surviving prototype examples from the 1960s become increasingly scarce, this pendant lamp stands as a distinctive artifact of design experimentation and enduring craftsmanship.

Siste bud
€ 38
Ingen reservasjonspris
Francisco Álvarez
Ekspert
Estimat  € 190 - € 230

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