Tijs Dragtsma (1992) - The Depths Obey






Studerte kunsthistorie ved École du Louvre med over 25 års erfaring innen samtidskunst.
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The Depths Obey er et originalt samtidsverk på 51×51 cm fra 2026 av den nederlandske kunstneren Tijs Dragtsma, signert, i utmerket stand, solgt direkte fra kunstneren med ramme.
Beskrivelse fra selgeren
HOLIDAY SHIPPING*
The Depths Obey is a monumental contemporary artwork about authority, myth and the darkness from which power rises.
Poseidon does not appear through paint or ink. He emerges from the surface itself, called forward through controlled scratches in acrylic glass. The trident reaches upward. The drapery moves. The beard catches a breath of light. And yet the surface has been damaged, not decorated.
Light is the medium that completes the work. As the viewer shifts position, the figure moves between commanding presence and quiet shadow. In certain angles he commands the frame completely. In others, he dissolves back into darkness, as if returning to the deep. The image is never fully stable. It breathes with the viewer.
From a distance, The Depths Obey reads as a museum piece, a god rendered with the gravity of classical sculpture. Move closer, and the illusion gives way to something raw. The surface reveals itself as a field of controlled surface damage, a texture that holds the myth together not through addition but through removal.
That paradox carries meaning here. Poseidon rules the invisible. He governs what lies beneath, what cannot be seen, what is felt rather than observed. A work that appears through absence, that becomes visible through what has been taken away, is not just a portrait of the god. It is a reflection of the sea itself. Present, enormous and largely unseen.
No paint. No print. No ink. Only acrylic glass, light and the deliberate disruption of a surface.
This work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.
"The depths do not announce themselves. They are simply there, beneath everything, waiting to rise."
About Art with Scratch
Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.
From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.
Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.
What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.
In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.
Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.
About the Artist
My name is Tijs Dragtsma, founder of TD Fine Art Studio.
As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.
My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.
Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.
I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.
TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.
*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.
These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.
Thank you for your understanding.
HOLIDAY SHIPPING*
The Depths Obey is a monumental contemporary artwork about authority, myth and the darkness from which power rises.
Poseidon does not appear through paint or ink. He emerges from the surface itself, called forward through controlled scratches in acrylic glass. The trident reaches upward. The drapery moves. The beard catches a breath of light. And yet the surface has been damaged, not decorated.
Light is the medium that completes the work. As the viewer shifts position, the figure moves between commanding presence and quiet shadow. In certain angles he commands the frame completely. In others, he dissolves back into darkness, as if returning to the deep. The image is never fully stable. It breathes with the viewer.
From a distance, The Depths Obey reads as a museum piece, a god rendered with the gravity of classical sculpture. Move closer, and the illusion gives way to something raw. The surface reveals itself as a field of controlled surface damage, a texture that holds the myth together not through addition but through removal.
That paradox carries meaning here. Poseidon rules the invisible. He governs what lies beneath, what cannot be seen, what is felt rather than observed. A work that appears through absence, that becomes visible through what has been taken away, is not just a portrait of the god. It is a reflection of the sea itself. Present, enormous and largely unseen.
No paint. No print. No ink. Only acrylic glass, light and the deliberate disruption of a surface.
This work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.
"The depths do not announce themselves. They are simply there, beneath everything, waiting to rise."
About Art with Scratch
Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.
From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.
Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.
What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.
In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.
Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.
About the Artist
My name is Tijs Dragtsma, founder of TD Fine Art Studio.
As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.
My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.
Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.
I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.
TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.
*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.
These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.
Thank you for your understanding.
