- Alfons Mucha​ (after), giclée print on heavyweight textured matte paper (approx. 300gsm, refers to paper thickness/density). - Stamp on verso. - Embossed stamp. - Signed in the plate. - Ready to frame. The pic in which the items appears framed is a simulated recreation for illustrative purposes only, the frame and other decorative elements shown in it are not included in the lot you are bidding on. - Condition: excellent. Never framed, never exposed. - Size: 36 x 65,5 cm. - More lots currently at auction: https://www.catawiki.com/es/u/7684787-yuke - Alphonse Mucha’s Dawn (1899) is one of the artist’s most refined decorative panels from the height of his Parisian Art Nouveau period. In Dawn, a reclining woman rises beneath flowing drapery and turns toward the distant horizon, where the first light emerges through an idealised landscape of trees and slender cypresses. The unusually horizontal composition one of the less common formats in Mucha’s œuvre allows the figure, fabric and landscape to unfold in long rhythmic lines, while the restrained palette of pale gold, soft green and warm ochre evokes the quiet freshness of early morning. The work perfectly illustrates Mucha’s ability to merge the human figure, nature and ornamental design into a single harmonious image. Its delicate palette and elongated proportions make Dawn particularly attractive in interiors where elegance is preferred to visual excess. The soft ivory and golden tones, touches of sage green and flowing linear drawing work beautifully with antique or contemporary gold frames, warm woods, velvet, linen and neutral walls, while its panoramic composition makes it especially suitable above a bed, console, sideboard or low piece of furniture. The combination of sensuality, serenity and botanical ornament gives the image the unmistakable sophistication of the Belle Époque without making it feel overly historical. It can sit equally well in Art Nouveau, classical, romantic, eclectic or contemporary interiors, and makes an elegant gift for admirers of decorative arts, fashion illustration, historic poster design and the distinctive visual language of fin-de-siècle Paris. Mucha’s decorative panels helped define the international image of Art Nouveau, placing the female figure at the centre of a world of flowing hair, fabric, vegetation and symbolic atmosphere. Dawn shares that vocabulary with his celebrated representations of the seasons, flowers and the arts, while its panoramic construction and subdued colour range give it an especially meditative character. Its stylised femininity and highly recognisable graphic language also resonate naturally with later decorative and design-led collecting, from Klimt, Matisse, Erté and Tamara de Lempicka to Warhol, Hockney, Kusama and contemporary graphic culture; the same visual sensibility makes it appealing alongside design icons and collectibles associated with Hermès, Gucci, Lego, Star Wars and Pokémon. Rather than merely illustrating a moment of the day, Dawn transforms the arrival of morning into an idealised vision of beauty, renewal and harmony between the human figure and the natural world.