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For Cypriot artist, Andreas Efstathiou, art is ubiquitous and creating art is a continuous process of building new themes upon the past. Imaginatively internalising a 20th century modernist tradition, he is constantly looking for novel and risky ways to express his take on life around him.

 

Born in 1964, in Cyprus, Efstathiou studied art in the USA, the UK and Cyprus. He has had numerous group and solo exhibitions, at home and abroad, and his paintings and sculptures are part of collections around the world. Since 2017 he has been living and working in Limassol, Cyprus, running the Cornaro Fine Arts Centre.

 

His artistic journey began with making mud sculptures as a child in Cyprus. He has absorbed the caprices of life: the nostalgia for his abandoned home, the struggle of a young painter to survive, the financial crisis turning everyone into a tightrope walker, the quarantine as a blessing and a prison.

 

Those are not, however, mere reflections of reality. They are feelings, thoughts, attitudes and perceptions morphed into a unique artist’s vision. “Art can reveal another dimension to our routine, provide people with a different point of view,” says Efstathiou . He listens, watches, thinks, and paints a raw philosophy derived from the world he lives in. His work is not abstract in the accepted sense; it is an abstraction of certain ideas, and it is inspired and motivated by the society around him.

 

For Efstathiou art is only alive at the moment of its creation. Not before, as yet a thought, neither after, as a completed piece. Everything that moment holds spills onto a canvas to be preserved and shared. “Art is a way to communicate with people. A good work of art does exactly that, regardless of its form,” he explains.

 

Never an academically figurative artist, Efstathiou’s work has travelled a long way from realist paintings, “too detailed,” in his own words, towards expressive abstractions, from vivid colour palettes to almost entirely black-and-white pieces. Playing with materials, colours and brushstrokes gives him the motivation to explore his themes. “I used to apply a more realistic approach to my art,” he says, “but suddenly realised that it wasn’t creation. I was merely illustrating life.” Yet his work is all about life: it is in smears of pure colour slashing across an otherwise monochrome background, in richly ornamented Byzantine-influenced canvases, in familiar outlines emerging from a whirl of abstract shapes.

 

Today, already an internationally recognised artist, Efstathiou continues to explore life around him and to evolve new themes in his work.  

Olje på lerret - Signert for hånd - 2020

Andreas Efstathiou - Ethereal structure 4

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