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Eleonore Floret



Exhibited at Milan Design Week 2025. Because some pieces speak for themselves—even before they’re sold.

Inspired by Mediterranean jellyfish (yes, the ones that float effortlessly while you struggle to swim), this piece captures their weightlessness and simplicity. Its undulating base isn’t just for aesthetics—it also adds stability and a bit of extra attitude.

LIGHT, REFLECTIONS & A TOUCH OF MAGIC

If there’s sunlight or a nearby light source, there’s a show. Its glossy finish bounces light, casting caustic reflections that look choreographed to perfection. Its glass-like material plays with transparency to create a sense of airiness and space.
Translation: it brightens up rooms, tricks the eye into making spaces look bigger, and if you place it outdoors, the sun will do its magic.

SIZE, IN CASE YOU CARE

Height: 49 cm | Width: 33 cm | Depth: 33 cm
(Small but full of attitude, just enough to hold things without getting in the way.)

NO PRODUCTION LINES, JUST CRAFTSMANSHIP

No, you won’t find this in just any store. And yes, you can brag that yours is part of a limited edition. For those who get it, nothing is more exclusive than an object made with intention and without rush.

MATERIAL & CRAFTSMANSHIP (OR WHY IT’S WORTH IT)

Hand-shaped, signed, and numbered—because good things take time and aren’t mass-produced. Made using solar energy and 100% recyclable PMMA, this piece is proof that design can be both sexy and sustainable.
And a heads-up: small stretch marks or subtle variations in curvature aren’t mistakes—they’re part of the artisanal process. Like wrinkles on an interesting face, they give each piece character.

HOW TO CARE FOR YOUR PRECIOUS WORK OF ART

Yes, it shines. Yes, it reflects light spectacularly. And yes, that means it also reflects fingerprints, dust, and anything that dares to touch it.
 To keep it flawless:
*Clean it with soap and water, avoiding alcohol-based products.
*If dust decides to settle in, an anti-static cleaner for acrylics will be your best friend.
*Avoid dragging it or placing sharp-edged objects on top (unless you’re into the art of wear and tear).

ETHICS & ECOLOGICAL CRISIS IN THE ANTHROPOCENE: OR HOW TO MAKE SOMETHING USEFUL OUT OF THE MESS

Yes, there are too many humans and too much plastic. No surprises there. But pretending it doesn’t exist won’t make it disappear. Our rPMMA/PMMA pieces embrace this reality—no sugarcoating, no greenwashing. If plastic has taken over, at least let’s make it look good.
This isn’t about naïve ecology or utopian dreams where everything is biodegradable and perfect. This is dark ecology—accepting that humanity has reshaped the planet in irreversible ways and now we have to deal with it, no filters. Plastic is here to stay, and instead of pretending otherwise, we turn it into something with cultural, artistic, and functional value.
Because when it isn’t recycled, plastic becomes an eternal relic—a fossil of our time, long before we even go extinct. Circular economy isn’t a trend; it’s a way of navigating this new reality, where the artificial and the natural can no longer be separated. We can’t erase what we’ve done, but we can decide what to do with it.

Pulpa


Spania - Samtidskunst  - 2025

Pulpas Studio - Sofabord - Akryl - Samba Primal

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