This serigraph by Manfred Stumpf (born 1957) titled Der Einzug in Jerusalem (1990) presents a minimalist yet highly symbolic composition. Executed in two colours—black on bold red. the work merges Christian iconography with a contemporary, almost digital aesthetic. The stylised figure riding a skeletal donkey under a palm tree references Christ's triumphal entry into Jerusalem, rendered here in a schematic, linear form that evokes ancient mosaics and pixel-based drawing alike. Stumpf is known for his unique combination of sacred motifs, computer aesthetics, and line-based minimalism. His work explores themes of transcendence, ritual, and myth in the modern age. A former student of Thomas Bayrle and known for his early use of digital media in fine art, Stumpf's artistic vocabulary connects to the conceptual rigor of artists such as Hanne Darboven, Roman Opalka, Peter Halley, and early Nam June Paik, while his iconographic focus places him in dialogue with Joseph Beuys, Arnulf Rainer, Keith Haring, and Bruce Nauman. It is in very good condition, due it's size will be sent rolled.